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Archive for the ‘Cameras & Camcorders’ Category

Samsung Full HD Camcorder, 20x Optical Zoom, 2.7″ LCD

Friday, August 20th, 2010

Shop for all HD Camcorders here.

Recording at 1,920 x 1,080 60i Full HD resolution enables you to capture the exquisite beauty of each and every moment in rich, natural color and deep, dynamic detail. Movies shot in Full HD resolution retain their incredible image intensity when they are viewed on Full HD TVs and monitors, giving you and your family a more enjoyable viewing experience.

Samsung Ful lHD Camcorder
Samsung Full HD Camcorder with 20x Optical Zoom, 2.7″ LCD
(Model No: HMX-H200BN)

20x Optical Zoom
Let your zoom do the walking. With 20x Optical Zoom, this Samsung camcorder gets you as close to the action as you need to be and ensures that every image is presented to perfection, giving you the power to make more emotional home movies.

Smart OIS (Optical Image Stabilizer)
This camcorder’s world-class Schneider Kreuznach lens comes equipped with an improved Smart OIS that eliminates the effect of shaky hands or body movement. Minute shifts in the lens compensate for movement, guaranteeing the stability and steadiness of recorded images.

4.7 Megapixel Photos
With 4.7 million pixels to play with, you can enjoy the best of both worlds. High-quality digital photos and Full HD video come to life with incredible depth of color and detail, enabling you to shoot and share the digital experience beyond imagination.

Super Storage, Speed & Security
With its built-in SSD (Solid State Drive) and SDHC Slot, this camcorder gives you expandable storage that allows you to enjoy recording, storing, and sharing more memories of magical moments. Lighter, smaller, stronger SSD also ensures fast operation & anti-shock / vibration.

Extended Battery Life (120 minutes)
The Samsung HMX-H200 series give you better battery life. Up to two hours of battery, you can enjoy the freedom to take your time making memories that will last a lifetime.

Record the Passing of Time — in HD
The timeless beauty of a sunset can be captured and condensed in HD detail using the Time Lapse Recording feature. Still frames are taken at preset intervals and put together in sequential order to create a video file that speeds up the slow passage of time.

USB Battery Charging
Out of battery? Simply connect this camcorder to any USB port via cable and it will start recharging. This intelligent feature gives you the freedom to shoot, share, and recharge from anywhere.

Smart Auto
Automatically detects which scene setting is the best one to use, so that video and photos are always captured in their best condition. Auto, White, Landscape, Indoor, Night, and Macro scenes are supported.

Direct Upload of Your Videos to the Web
Using Intelli-studio software, you can upload your videos and photos to your PC with ease and upload them directly to YouTube, Flickr or Facebook.

Specifications

  • 2.7″ wide touch LCD (960 x 240), 230K
  • Sensor Size – 1/4.1″, 3.32M pixel CMOS
  • Optical Zoom – 20x (22x)
  • Digital Zoom – 220x
  • Lens – f1.8 – f3.7
  • Focal Length – 3.2mm–64mm
  • Video Recording Format – H.264 HD
  • Compatible memory card – SDHC
  • Internal Omni-directional Stereo Microphone
  • Power Source – Lithium Ion Battery Pack

Connections

  • Composite output
  • Component output
  • HDMI™ output
  • Audio output
  • USB 2.0 high speed output (mini USB-B type)

What’s In the Box?

  • Camcorder
  • Battery
  • AC Power Adapter
  • Component/AV /USB Cables
  • User Manual CD
  • Quick Start Guide

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Lexar Multi-Card 24-in-1 USB Reader

Saturday, July 31st, 2010

Shop for all card readers here.

The Lexar® Multi-Card 24-in-1 USB Reader is an easy-to-use, all-in-one file transfer solution. The reader has an innovative pop-up design, supports 24 memory card formats, and enables concurrent downloads and card-to-card file transfer.

Lexar Multi-Card 24-in-1 USB Reader
Lexar Multi-Card 24-in-1 USB Reader
(Model No: LRW024URB)

LEXAR = PERFORMANCE, QUALITY, RELIABILITY
With support for multiple memory card formats, the ability to perform concurrent downloads and card-to-card file transfer, and a protective pop-up design, the Lexar Multi-Card 24-in-1 USB Reader is an excellent, all-in-one solution to your file transfer needs. The reader includes a one-year warranty for peace of mind, and provides you with performance, quality, and reliability from the brand you can trust.

PRODUCT HIGHLIGHTS

  • Extremely versatile — reads 24 popular memory card formats.
  • Enables concurrent downloads and card-to-card file transfer.
  • Pop-up design protects card slots from dust and debris.
  • Quickly and easily transfer photos, videos, music and data files.
  • Includes USB cable — no external power supply needed.
  • One-year limited warranty.

Supports Multiple Card Formats for Impressive Versatility
The Lexar Multi-Card 24-in-1 USB Reader has five slots and supports two dozen of the most popular memory card formats, making it easy to transfer files between your digital camera, MP3 player, mobile phone, and computer.

Enables Concurrent Downloads and Card-to-Card File Transfer
The reader also has the ability to read multiple cards from multiple card slots simultaneously, and allows for card-to-card file transfer between cards in different slots—further enhancing its versatility. This gives you the power to share photos, videos, music, and files among your devices.

Innovative, Pop-Up Design
Created with convenience in mind, the Lexar Multi-Card 24-in-1 USB Reader boasts an innovative, pop-up mechanism that allows you to open and close the reader with a simple push, protecting the card slots when not in use. As for looks, the reader’s designed to be a great addition to your workspace with its sleek, glossy white finish, and it sports a cool blue LED activity light to let you know when file transfer is complete.

Quickly, Easily, and Reliably Transfer Files
The Lexar Multi-Card 24-in-1 USB Reader comes with a Hi-Speed USB 2.0 cable that easily connects the reader to your computer, with no external power source needed. Leveraging the speed of your system’s USB 2.0 interface, the reader makes it easy to quickly download your files from device to computer. Simply remove the card from your digital device, slide it into the reader and drag and drop files onto your computer.

COMPATIBLE MEDIA

    CompactFlash Type I and Type II
    Memory Stick (with MagicGate)
    Memory Stick Duo (with MagicGate)
    Memory Stick
    Memory Stick PRO
    Memory Stick PRO Duo
    Memory Stick PRO Duo Mark 2
    Memory Stick PRO-HG Duo
    Memory Stick PRO-HG Duo “HX”
    xD-Picture Card
    xD-Picture Card Type-M
    xD-Picture Card Type-M+
    SD
    SDHC
    miniSD
    miniSDHC
    MMC
    MMCplus
    RS-MMC
    microSD
    microSDHC
    M2
    xD-Picture Card Type-H

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Understanding Nikon’s Line of Digital Cameras

Saturday, July 10th, 2010

Nikon’s vast line of digital cameras includes 18 different digital compact cameras and nine different digital SLR (D-SLR) cameras. They range from the memories made easy COOLPIX Life Series to the top-of-the-line D3X. Whether you’re a beginner taking snapshots with a point-and-shoot COOLPIX or a professional shooting on set with a D-SLR, you’ll experience amazing image quality and outstanding performance with every use of Nikon’s line of digital cameras.

COOLPX LIFE SERIES: memories made easy
Powerfully capable — yet simple, at an entry-level price.

Behind every Nikon COOLPIX compact digital camera is the fundamental idea that photography should bring you joy. Every shot you take is a precious moment captured. With Nikon COOLPIX cameras you can capture that moment and its joy forever.

Understanding Nikon's Line of Digital Cameras
Nikon 12 MP Coolpix® L22
3.6x Optical Zoom
(Model No: COOLPIXL22R)

COOLPIX STYLE SERIES: brilliance made beautiful
Greater photographic control in an ultra-slim design.

Behind every Nikon COOLPIX compact digital camera is the fundamental idea that photography should bring you joy. Every shot you take is a precious moment captured. With Nikon COOLPIX cameras you can capture that moment and its joy forever.

Understanding Nikon's Line of Digital Cameras
Nikon 12 MP Coolpix® S570
5x Optical Wide-Angle Zoom
(Model No: COOLPIXS570)

COOLPIX PERFORMANCE SERIES: passion made powerful
Advanced functionality for the highest quality images.

Behind every Nikon COOLPIX compact digital camera is the fundamental idea that photography should bring you joy. Every shot you take is a precious moment captured. With Nikon COOLPIX cameras you can capture that moment and its joy forever.

  • COOLPIX P100
  • COOLPIX P6000
  • COOLPIX P90

Understanding Nikon's Line of Digital Cameras
Nikon 10.3 MP Coolpix® P100
26x Optical Wide-Angle Zoom
(Model No: COOLPIXP100)

D-SLR
Nikon’s digital SLRs combine the latest in technology with ease of use to produce incredible digital images. Compare the features, explore the benefits and delve into the details and specs. Turn your ideas into images with a Nikon D-SLR.

Understanding Nikon's Line of Digital Cameras
Nikon 12.3 MP Digital SLR Camera
18–105mm f/3.5-5.6G ED VR Zoom Lens
(Model No: D90KIT)

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Understanding Canon’s Line of Digital Cameras

Saturday, July 10th, 2010

Canon’s vast line of digital cameras includes 22 different digital compact cameras and 10 different digital SLR cameras. They range from the easy and fun A-Series PowerShot models to the top-of-the-line EOS-1Ds Mark III. Whether you’re a beginner taking snapshots with a point-and-shoot PowerShot or a professional shooting on set with an EOS digital SLR, you’ll experience amazing image quality and outstanding performance with every interaction of Canon’s line of digital cameras.

DIGITAL COMPACT CAMERAS
Shoot high-quality digital photos with Canon PowerShot digital cameras. Canon PowerShot cameras offer the best in digital camera technology, style and ease of use. Canon’s optics, DIGIC processor and stunning design make PowerShot digital cameras the best choice for photographers at any level. The digital compact cameras in Canon’s repertoire include four levels of picture-taking fun.

A-Series
You’ll quickly discover that the easiest way to capture a great image is to simply “point” and “shoot” using any of Canon’s compact, feature-friendly A-Series digital cameras.

Understanding Canon's Line of Digital Cameras
Canon PowerShot 10 MP, 3.3x Optical Zoom, 2.5″ LCD
(Model No: A495BLUE)

ELPH
Canon’s point-and-shoot Digital ELPH Cameras are easy to use and boast an array of helpful shooting modes, creative features and advanced functions in an incredibly portable package.

Understanding Canon's Line of Digital Cameras
Canon PowerShot 14.1 MP, 4x Optical Zoom, 2.7″ LCD
(Model No: SD1400ISBLK)

D-Series
For those with a taste for adventure, there’s a camera as bold as the active life you lead. It’s the Canon PowerShot D10. Waterproof, freeze proof and shockproof; it’s tough enough to take what you dish out.

  • D10

Understanding Canon's Line of Digital Cameras
Canon PowerShot D10, 12.1 MP, 3x Optical Zoom

Advanced
Canon’s high-end PowerShot digital cameras incorporate the creative performance of a professional digital SLR camera and the compact convenience of a point-and-shoot.

  • G11
  • S90
  • SX20 IS
  • SX210 IS
  • SX200 IS
  • SX120 IS

Understanding Canon's Line of Digital Cameras
Canon PowerShot, 12.1 MP, 20x Optical Zoom, 2.5″ LCD
(Model No: SX20IS)

DIGITAL SLR CAMERAS
The Canon EOS Camera System is the most complete Single Lens Reflex (SLR) camera system in the world. Whether you are a beginner or advanced professional looking for a digital camera, the EOS System takes your photography to the next level.

EOS
Amazing image quality and outstanding performance are just two of the many benefits photographers, from beginners to professionals, will experience with every interaction with a Canon EOS digital camera.

Understanding Canon's Line of Digital Cameras
Canon EOS SLR, 18 MP, 18–55mm IS Lens, 3″ Live View LCD
(Model No: REBELT2IKIT)

ACCESSORIES

EF Lens Lineup
Choose from one of the world’s most comprehensive selection of lenses — including telephoto, macro, fisheye, and tilt/shift — to capture amazing stills and stunning video with incredible clarity and brilliant colors.

Speedlite Flash Lineup
Find the EX-series Speedlite that works best in tandem with your EOS camera to deliver great exposures and automatic balanced fill-in flash.

Wireless File Transmitters
Canon Wireless File Transmitters provide professional photographers with a range of innovative wireless connectivity options for all photographic disciplines.

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Digital Camcorders: More Camcorder Tips

Sunday, May 2nd, 2010

There are many features and options to look at when shopping for a camcorder. In addition to the items listed in our Digital Camcorder Buying Guide, here are some items to mark off your checklist before purchasing a new digital camcorder.

MiniDV – These little workhorses are capable of recording, playback, and editing of standard-definition (4:3) digital video and audio onto small, high-density videocassettes known as ‘S’ size. Each videocassette can record 60 minutes at Standard Play (SP) or 90 minutes at Long Play (LP). There are also 80 minute videocassettes that use a thinner tape; they can record for 80 minutes set on SP or 120 minutes set on LP. Both SP and LP record exactly the same signal and video information. You will not be able to differentiate a recording taped at SP and another tape recorded at LP because the video and audio are of identical quality between the two speeds.

HDV – Two attributes of the HDV format stand out right away; they use videocassettes identical to the ones used in MiniDVs camcorders and they record using a true (1920 x 1080i) high-definition signal with a 16:9 aspect ratio. Most HDV camcorders have the ability to record in standard definition while you make the transition to high-definition at your own pace.

This format is inexpensive to purchase and operate since the tapes are so reasonable to buy, especially in bulk. You can record on the tape, upload the video to your PC/Mac for editing and then place the tape on the shelf for archiving purposes. No need to reuse tapes over and over to save money.

AVCHD – This is a format capable of recording in standard definition and high-definition for use in digital, tapeless camcorders. That’s right. They are completely sans tapes and instead record using hard disk drives, memory cards, and DVD (mini and standard discs). For high-definition recording, all the major definitions are supported: e.g., 720p, 1080i, and 1080p.

MiniDVD – The original media specified in the AVCHD standard is the DVD disc. To ensure the camcorder did not need to grow in size to accommodate the standard size DVD (4.75-inches, 12cm), only the MiniDVD (3.16-inch, 8 cm) can be used. Although the MiniDVD is compact, its storage capacity is a respectable 1.4GB for single-sided, single-layer discs and 5.2GB for double-sided, double-layer discs.

DVD – You can record straight onto a DVD+R and enjoy easy and convenient playback on a standard DVD player. This familiar type of storage medium offers space to store up to 480 minutes (eight hours) of MPEG-2 video per dual-layer disc. A single-sided, single-layer DVD+R disc can hold 4.7GB of video per disc while a dual-sided, double-layer DVD+R disc can hold 17GB of video per disc.

Memory Cards – This type of storage uses solid-state flash technology such as SD/MMC. Some memory cards are available in high capacity formats such as SDHC (Secure Digital High Capacity). Memory cards are lightweight and compact, and they provide limitless rewritable storage. Consumers are familiar with memory cards; that’s because you have used memory cards in your computers, TVs, digital cameras, cell phones, PDAs, Blu-ray Disc players, etc.

HDD – Hard disk drives (HDD) dramatically increase the storage capacity over MiniDVDs, DVDs, and SD/MMC memory cards. Depending on the camcorder model, hard disk storage can range from 30GB to 120GB before downloading to another form of digital storage is required (using a USB cable). Another bonus to using HDD over other storage is the faster recording data rate than MiniDVDs, DVDs, or SD/MMC memory cards.

VIEWFINDERS & EYEPIECE
You’ve got two options for filming your personal masterpiece as far as seeing what you’re recording; using a viewfinder or an eyepiece. Using one or the other might fall into personal taste but a viewfinder is recommended for filming while walking and moving about so that you can use your peripheral vision to see where you’re going. Plus, a viewfinder allows you to see what’s NOT in the frame as well as what’s in the frame so you can make adjustments.

Viewfinders are LCD screens (just like your laptop) and range in size from 2 inches to as much as 4 inches and display in color. Most viewfinders are designed to swivel, as much as 180 degrees, so that you film above your head, below your waist, or even include yourself in the frame.

An eyepiece is usually a singular-view (monocular) lens that is protected by a flexible, rubber shroud that also helps seal around your eye socket to keep out excess light. On some models, the eyepiece is adjustable to several different angles and on others, it is stationary and in line with the lens of the camcorder.

Still have questions? Feel free to speak to an expert hhgregg sales associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

BUYING GUIDE: Digital Camcorders

Sunday, May 2nd, 2010

If a picture is worth a thousand words, then digital video speaks volumes. Today’s digital camcorders fit into the palm of your hand and even basic models have a wide spectrum of features and recording media to choose from.

The new and improved lines of digital camcorders have brought technology advancements and a plethora of choices and options to select the perfect camcorder. To add to the selection processes, the types of camcorders have multiplied:

How do you decide which camcorder is best for your needs today and in the future? Follow these five easy steps and you’ll be pressing the record button in no time!

STEP 1 – Set a Budget
Chances are you’re going to keep your camcorder for many years so your purchase should involve a little forethought and planning to match your needs and your budget to the camcorder of your dreams. Set a realistic budget … and stick to it!

In setting a budget, don’t just think of the camcorder itself. Sundry other accessories might stretch the seams of your wallet and exceed what you can afford. Plan ahead for these necessary items and there won’t be any missteps.

STEP 2 – Choose High-Definition (HD) or Standard Definition (SD)
The video resolution for a SD camcorder is 640 x 480 and is without a lot of the technologies available with HD. With HD, you’ll get advancements such as video resolution as high as 1080p (1920 x 1080) and surround sound. Plus, editing will be easier and will provide more options such as adding special effects to your vacation videos.

Your decision to record in HD might be as simple as your HDTV. Why record your son’s soccer game in SD and then play it back on an HDTV? Most camcorders offer the flexibility to record in SD (4:3) or HD (16:9). With filming in HD, you can burn your HD video to a DVD and play it in a Blu-ray Disc player (AVCHD compatible) for the home theater experience including surround sound.

STEP 3 – Recording Media Storage Options
Two of the recording formats, MiniDV and HDV, rely on tapes for recording and storing your video, while AVCHD (Advanced Video Codec High Definition) has gone totally tapeless. They use hard disk drives, memory cards (SD/MMC), and DVDs (mini and standard) to store video.


Canon Flash Memory Camcorder
(Model No: FS300RED)

STEP 4 – Feature & Option Choices
IMAGE STABILIZATION (aka shaky hand syndrome)

Most camcorders have some form of image stabilization, which helps correct for camera shake. It is your hand shaking, not the camera, right? Other instances where this feature can help your recording turn out well is using your zoom to near maximum limits, filming while walking, or recording fast-moving objects.

There are three types of image stabilization:

    Electronic – Adjustments are made electronically.
    Optical – Uses a set of lenses to adjust for the additional motion.
    Digital – Helps prevent overcompensation when it senses the tilting or panning of the camera.

STEP 5 – Accessorize Your Camcorder!
A wide range of accessories are available for most any camcorder. Depending on what type of recording you do will depend on what accessories you choose to add to your camcorder purchase. If you’re going to be filming your children playing little league sports, a tripod and extra batteries will be in order. Here are some examples of accessories that you might need:

  • Tripod

  • Carrying Case/Bag
  • Charger and Extra Batteries
  • Additional Storage Media
  • Cables (e.g., USB, FireWire)
  • Extra Lenses and Lens Adapters

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Understanding Pixels for Printing Digital Photos

Sunday, April 18th, 2010

You can run your own personal print shop from your desktop with today’s photo printers. With a high-quality image from your digicam, a good photo printer and photo paper, your local photo lab would be hard-pressed to outdo the job you can do at home for small quantities. But how do you match up print size to megapixels?

The chart below is a guide to ensure you get the best print possible. The .jpg from your camera was probably saved at .72ppi (pixels per inch) but to get a good print you’ll need at around 240ppi. To figure out what size your printed photo will be based off of your image resolution, divide the width and the height by your desired pixels per inch (in this case, 240ppi).

Digital Cameras: The Shutterbug Guide

Digital Cameras: The Shutterbug Guide

Another point to consider before printing is cropping the image. For example: if you start with a 5MP image that has a resolution of 1936 x 2584 and then you crop it to 1700 x 2300 to remove some of the background, you won’t be able to print it at 8″ x 10″ anymore without the image distorting. That’s because the image would have to be stretched to regain the original resolution of 1936 x 2584. This is especially important if your cropping isn’t proportional. If you end up cropping more of the image’s height than width or vice versa, then the image won’t be at the 4:3 (1.33:1) aspect ratio anymore.

MEGAPIXELS
Probably the most common qualifying specification you’ll hear about digicams is the grand total of megapixels. Judging a camera based solely on megapixels is a mistake. Although there is some truth to the amount of megapixels being an overall indicator of a camera’s quality and capability, it is a mistake to judge a camera based solely on that one factor.

What is a megapixel anyway? Mega means ‘one million’ so when you add it to ‘pixels,’ it becomes one million pixels. For example, a digicam rated at 7.2 megapixels has a maximum individual image capturing size capability of 7,200,000 pixels (cameras are usually rounded up in their megapixels rating).

The term megapixel is used to calculate the total number of image sensor elements in all digital images. A digital camera with an array of 3096 x 2320 image sensor elements will be rated at 7.2 megapixels (3,096 x 2,320 = 7,182,720 pixels) – rounded up that would be a 7.2 megapixel camera.

Another way to view the image sensor elements is to look at the aspect ratio of the image. The 3096 x 2320 image is displayed at an aspect ratio of 4:3 (1.33:1). What do these numbers mean?

    4:3 = for every 4 pixels wide, the image is 3 pixels tall
    1.33:1 = means the width of the image is 1.33 times one full length of the height.

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Digital Cameras: What’s the Difference Between dSLR and Point & Shoot?

Sunday, April 18th, 2010

Buying a camera that suits your needs and fits your budget will provide years of service and headache-free use. The #1 mistake consumers make is not buying a camera they’ll outgrow in a few months; it is buying a camera that is way beyond what they really need. If you’re just taking photos a couple times a year, a 15MP dSLR camera capable of producing poster-sized images by the thousands is simply more camera than you’ll ever need.

Quite possibly the largest individual technology jump in the digital revolution is the transition from film cameras to digital cameras (aka digicams). Whether you shoot one photo a month or 200 shots a day, they’ve become so inexpensive and easy to use that it is feasible to take high-quality wedding photos with a digicam, right out of the box.

Deciding what you’re really going to take photos of will keep you in freeze frame mode once the newness has worn off. What’s left will be a tool that will take images of vacations, weddings, birthdays, and dozens of zoomed-in shots of flowers and bugs. Your family and friends might even begin to avoid you once they see you armed with your camera to take yet another photo.

In simplest terms, are you going to stay in an automatic mode or are you becoming a self-taught student of photography? This will separate the simple (point-and-shoot) for the sophisticated (dSLR). What’s the difference between the two? Let’s take a brief look at point-and-shoot digital cameras and the more advanced digital SLRs (dSLR) to help guide you to the digicam that’s just right for you.

POINT-AND-SHOOT
This category has two different types of cameras: sleek-and-slim and advanced. The advanced point-and-shoot can have the physical appearance of a dSLR but still have the more basic attributes and automatic usage capabilities. Cameras in this category are easy to use, have minimal settings and adjustments, and will easily get the job done.

Essentially, these cameras operate mostly on auto mode and all you do press the button; hence, point-and-shoot. For a first-time buyer or a camera for a teenager, these cameras are the least expensive and are perfect. A sleek and slim model can easily fit into your purse or center console in your car.


Polaroid (Model: A930) – 9 Megapixel – 8x Optical Zoom / 4x Digital Zoom
Sony Cyber-shot (Model: DSCHX1) – 9.1 Megapixel – 20x Optical Zoom / 40x Digital Zoom

dSLR
By definition, a dSLR is a digital single-lens reflex camera. These are the tools and best friend of the serious amateur and the pro photographer. If you’re shopping for one of these works of art, chances are you find out what all the buttons and switches do and you’ll go through every menu on the LCD screen. These cameras are larger in size and provide options and features only available on dSLR cameras. One of these features is the ability to change lenses.


Canon EOS (Model: 50D) – 15.1 Megapixel – EF 28—135mm f/3.5—5.6 IS USM Zoom Lens

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Sony MHS-CM5/V bloggie™ Camera: Capture, Upload, & Share Your Life

Saturday, April 3rd, 2010

When fun happens, you want to share it with everyone you know — and even people you don’t. The all-new, pocket-sized bloggie™ camera lets you capture, upload, and share the action in high definition (HD). It plays nicely with sites like YouTube™, Twitter, Facebook, so it’s easy to upload your photos and videos to the web.



Sony bloggie™ Camera (Model No: MHSCM5)

Capture MP4 video or 5MP images — your choice and all in high definition (HD). With a very narrow width of approximately 1.6 inches and a height of 4 inches, the MHS-CM5/V bloggie™ camera is compact enough to effortlessly carry in your backpack or pocket. The MHS-CM5/V features a vertical-grip design for more comfortable shooting, and 5x optical zoom to get you closer to the action.

CAPTURE
 
UPLOAD
 
SHARE
Record everything in beautiful, 1920 x 1080 high definition (HD) MP4 (H.264) format. MP4 is a popular multimedia format that compresses the size of your audio and video, making files small enough to easily transfer to your compatible PC/Mac. Swing out the built-in USB arm and connect your camera directly to your compatible PC/Mac. It’s the quick and easy way to upload videos and charge your battery without having to hunt for cables. Show your videos to the world. Just use the pre-installed Picture Motion Browser (PMB) Portable software to pre-select videos and images in the camera and easily upload them to a compatible PC/Mac and popular Internet sharing sites. No additional software needed.

2.5” LCD Swivel Screen
Whether you’re shooting a friend’s silly antics or filming yourself, the handy 2.5 inch swivel screen rotates 270 degrees for the perfect view when holding the camera at odd angles. The view in the LCD screen has a whopping 230,000 pixels, and when the LCD screen is opened, the bloggie™ camera almost instantly powers on so you can start taking still shots or recording video — immediately.

5X Optical Zoom
Zoom in on the fun. This bloggie camera boasts a 5x optical and 20x digital zoom that lets you move in close and capture the action with impeccable detail.


Sony bloggie™ Camera (Model No: MHSCM5)

Media Card Slot
For convenient sharing and storage of your images and videos, the MHS-CM5/V camera accepts various types of removable media (sold separately). In additional to SD/SDHC, the camera accepts the following types of removable media.

  • Memory Stick Duo™

  • Memory Stick PRO Duo™
  • Memory Stick PRO-HG Duo™

5MB Digital Photos
Capture the action with crystal-clear still shots to complement your video footage. The bloggie camera features a 5-megapixel CMOS sensor that lets you take crisp 5-megapixel still images

HDMI Output
HDMI connectivity provides a simple, high-quality video and audio connection with the ability to transmit HD video from the camera to compatible HDTVs via a single cable (sold separately).


Sony bloggie™ Camera (Model No: MHSCM5)

USB Upload/Charge
A built-in USB arm lets you connect your camera directly to your compatible PC/Mac to upload video and/or charge your battery without having to hunt for cables.

Movie & Still Buttons
Enjoy the convenience of individual “Movie” and “Still” buttons that allow you to seamlessly switch from video recording to still photo capture with the simple press of a button.

What’s In the Box?

  • MHS-CM5/V Camera

  • Rechargeable Battery Pack (NP-BK1)
  • Application Software / USB Driver / (CD-ROM)
  • A/V Connecting Cable

  • USB Connect Support Cable
  • Wrist Strap

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Lexar Media USB 2.0 Multi-Card Reader (Mac/Windows)

Saturday, February 6th, 2010

The Lexar Multi-Card Reader offers the most versatility in a memory card reader. It can read them all major memory cards: CompactFlash, Memory Stick, SD, and more. With its USB connectivity, you can take a file from your digital camera, video camcorder, MP3 player, or PDA and move it seamlessly from the device to your computer. Small and incredibly fast, a Lexar Multi-Card Reader goes anywhere, anytime.

The still photography, music, video, or other data stored on the removable flash media from your digital camera/camcorder, MP3 player, printer etc., isn’t much good to you unless you can transfer the files to your computer for viewing, editing, and enjoying. This is where a card reader comes into the picture. You can copy or move files seamlessly from the removable flash media to your PC with incredible speeds.

The Lexar Multi-Card Reader is small and travels with ease. And with its USB 2.0 port, you can connect with your computer in a blink with no external AC power supply needed. Another feature of the card reader is the ability to copy or move files from one removable flash media form to another. This amazing unit is pretty indestructible, but just in case it comes with a 2-year limited warranty and free technical support.

Some multi-card readers are installed into one of your PCs drive days while others can be connected externally to your computer using an interface (e.g., FireWire) or via USB. Once connected, the flash card will appear as an additional drive letter in your hard drive’s directory structure. For the Lexar Multi-Card Reader (see photo), slot #1 will display as drive F, slot #2 as drive E, slot #3 as drive G, and slot #4 as drive H.

The Lexar Media USB 2.0 Multi-Card Reader is a 12-in-1 unit that can read the following types of cards:

  • CompactFlash (Types 1 & 2)

  • SmartMedia
  • Memory Stick
  • Memory Stick Duo
  • Memory Stick PRO Duo
  • Memory Stick Pro
  • MultiMediaCard (MMC)

  • RS-MMC
  • Secure Digital (SD) & SDHC
  • MiniSD
  • xD-Picture Card (Types M & H)
  • MicroDrive

The following table shows what types of cards go into which slots in the Lexar Media USB 2.0 Multi-Card Reader:


Lexar Media Multi-Card Reader (Model No: RW022001)

CompactFlash
SmartMedia
xD-Picture Card
MMC
SD
MiniSD
RS-MMC
Memory Stick

Conserve Battery Life
Use your device’s batteries only when you’re on the go, not when you’re transferring data. The Lexar Multi-Card Reader lets you transfer pictures, music, or data without even turning on your camera, MP3 player, or whatever device you’re using.

We’re Talking Speed
Connected via USB 2.0, the Lexar Multi-Card Reader cranks out 480 mpbs, making it 40 times faster than USB 1.1. Plus, it’s backwards compatible with older USB ports.

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The Ultimate in Online Video Sharing: Flip Video’s UltraHD Mini Camcorder

Sunday, January 24th, 2010

If there was a contest to see which mini-camcorder is best suited for shooting video to be used for online sharing via social media sites and e-mail, the UltraHD camcorder from Flip Video would win — hands down! In fact, the UltraHD is capable of unlimited private video e-mails and video greeting cards, and has direct upload to MySpace™, Facebook™, and YouTube™.


Flip Video UltraHD Mini Camcorder (Model No: U2120B)

This easy-to-use mini camcorder combines the power of its Flip Video’s signature shoot-and-share simplicity with vivid, vibrant HD video. Add in 120 minutes of record time per charge, pocket-size portability, and a whopping 8GB of internal flash memory and you’re ready to film the memories of a lifetime. When used with the underwater case (purchased separately), this little workhorse can even be used underwater.

Spec Sheet

Video Resolution: 1280 x 720 Battery Charge Time (USB): 6.5 hours
Scan Type: Progressive  Battery Charge Time (A/C Adaptor):  3.5 hours
Frame Rate: 30 fps (constant frame rate) Screen Size: 2” Transflective TFT (for bright daylight)
Video Bitrate:  9.0Mbps (average) Screen Resolution: 960 x 240
Video Format: MPEG-4 Dimensions: 4.25″ x 2.19″ x 1.17″ (H x W x D)
Video Compression: H.264 Weight: 6 ounces
Audio Compression: AAC Interface: 8 buttons
Zoom: Smooth multi-step 2x digital Software: FlipShare (preloaded)
Lens Type: Fixed Focus (1.5m to infinity) Power-up Time: Less than 4 seconds

FlipShare Software
The UltraHD has FlipShare software preloaded for managing your videos for instant viewing, editing, one-click e-mailing, and online sharing.

  • Browse, play back, organize, and archive your videos

  • Create movies with video clips, music, and titles
  • Edit clips and create still-image snapshots from video
  • Instantly upload to and other video sharing sites
  • Create private Flip Channels to share your videos with groups of family and friends
  • Share your videos privately using attachment-free emails or greeting cards (free and unlimited video sharing)

Battery Power
Not know if there is enough juice left in your batteries to shoot your memories has always been a concern with camcorder. Using Flip Video’s rechargeable battery pack, you’ll have 120 minutes of record time. Recharging is accomplished by simply connecting the UltraHD — using the internal flip-out USB arm — to the USB port on your computer.

The Flip Video-specific A/C power adaptor (purchased separately) can also power up your UltraHD when the rechargeable battery pack is low. The internal flip-out USB arm plugs directly into a USB port of the A/C adaptor. If you’re really in need of power but don’t have time to charge, a pair of standard AA alkaline or lithium (e.g., Energizer® e2®) batteries will work in a pinch.


Flip Video UltraHD Mini Camcorder (Model No: U2120B)

Accessories
Depending on how you plan to use the UltraHD, a wide variety of accessories are available. For more details on accessories compatible with the UltraHD, call or visit your nearly hhgregg retail store.

  • USB Cable

  • HDMI Cable
  • A/C Power Adaptor   
  • Battery Pack
  • Tripod

  • Soft Pouc
  • Underwater Case
  • Premium Service Plan
  • What’s in the Box?

    • Camcorder

    • Rechargeable AA Battery Pack
    • Wrist Strap
    • Soft Carrying Case
    • Quickstart Guide

    Still have questions? Feel free to speak to an expert hhgregg sales associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

    Nikon D5000: The New Breed of DSLR Camera

    Sunday, January 17th, 2010

    The newly released (May 1, 2009) Nikon D5000 is a new breed of Nikon DSLR camera. Initially, media attention speculated that the D5000 might replace the D60 or even the D90. Ironically, the D5000 now sits right between the D60 and D90, which are still part of Nikon’s amazing DSLR line.


    Nikon D5000 DSLR Camera
    (Model No: D5000)

    Probably the biggest you-can’t-live-without new feature that is included in the D5000 is the Vari-angle monitor. If you’re not sure what a Vari-angle monitor might be, here’s a better explanation: it’s a tiling 2.7-inch LCD viewfinder screen. This means you’ll have the ability to shoot from angles you never dreamed of before — from overhead to ground-level shots. Let’s take a closer look at this upper-entry-lever DSLR and review some of the goodies you can add to enhance the D5000.


    Nikon D5000 DSLR Camera
    (Model No: D5000)

    Vari-angle Monitor
    Flip it, tilt it, turn it, stow it. The new Vari-angle monitor adds a flexible dimension to Live View shooting, which vividly shows your subject in real time. Now with this freely adjustable monitor, taking great shots and movie clips with Live View is easier and more enjoyable than ever. When selecting your shot through the optical viewfinder is not an option, try Live View shooting via the 2.7-inch Vari-angle monitor.

    This crisp, 230,000-dot monitor with 100 percent scene coverage gives you the freedom to hold the camera in a variety of positions, making it simple to shoot from dramatic and interesting new angles. Raise the D5000 high to shoot over crowds, or hold it close to the ground for a little creature’s view of the world. And when you’re finished shooting, the monitor can be tucked away with the LCD panel facing the camera’s back — the perfect way to protect the monitor against scratches and other damage. The monitor can swing down approximately 90 degrees and will rotate 180 degrees.


    Nikon D5000 DSLR Camera
    (Model No: D5000)

    Scene Modes
    Take the guesswork out of tricky photo situations with Scene Modes. Simply turn the mode dial to SCENE and choose the mode that matches the subject from a list of 19 different modes. From there, the D5000 does the rest — automatically adjusting exposure, image processing, Active D-Lighting, and other settings for optimum results. Sample photos appear on the display to help you select the right shooting mode.

    Autofocus
    This is a key function in any digital camera. The D5000 uses Nikon’s reliable Multi-CAM 1000 autofocus sensor module for fast, accurate autofocus. Strategically arranged for outstanding coverage of both vertical and horizontal compositions, the diamond-shaped array of 11 autofocus points — with one precision cross-type point — handles nearly any shooting situation.

    Active-D Lighting
    High contrast settings — such as sunny beach and snow scenes — present special problems to most photographers. Without additional lighting and close attention to exposure, shadows can block up and highlights washout, eliminating subtle nuances of tone and detail. Active D-Lighting addresses this, automatically adjusting exposure in shadows and highlights to effectively expand the dynamic range for more optimally exposed images that better resemble the scene as you saw it.

    Battery
    Get up to 510 shots per charge with the included rechargeable Li-ion battery (EN-EL9a). The D5000’s efficient energy-saving design helps conserve battery power, giving the photographer the ability to keep on shooting even for extended sessions.

    EXPEED
    Nikon’s EXPEED image processing system delivers stunning images while maximizing camera performance. This new version of EXPEED — especially developed for the D5000 — works in tandem with the 12.3-megapixel CMOS sensor to produce finely detailed images that exhibit superb color reproduction and rich tonal gradation with minimal noise.

    Specificaitons Sheet

    Effective Pixels 12.3 million
    Image Sensor 23.6 x 15.8 mm CMOS sensor
    Image Size (photo) Large: 4,288 x 2,848 – Medium: 3,216 x 2,136 – Small: 2,144 x 1,424
    Image Size (movie) Large: 1,280 x 720/24 fps – Medium: 640 x 424/24 fps – Small 320 x 216/24 fps
    Media (photo) SD memory cards, SDHC compliant
    File Format (movie) AVI
    Compression Format (movie)   Motion-JPEG (monaural sound)
    HDMI Output Type C HDMI connector;
    Dimensions 5 inches (width) x 4.1 inches (height) x 3.1 inches (deep) / 127 x 104 x 80 mm

    Extra Lenses – Nikkor AF-S DX VR
    One of the fun things about becoming a shuttebug is swapping out lenses — especially if you’re a distance from your subject but the perfect shot means more zoom power is required than the factory lens will allow. Versatile and ultra-compact with a powerful focal length range of 55–200mm, this is an ideal 3.6X zoom lens for portraiture, sports or wildlife, and is designed exclusively for Nikon DX format SLRs.


    Nikon 55-200mm f/4-5.6G ED Zoom Lens
    (Model No: 2156)

    Carrying Case
    Although your DLSR will provide you with years of service, it still needs to be protected from the elements when not in use. Outdoor weather conditions, such as sun and humidity, can alter or damage a camera’s functions. Even everyday household dust can affect how a camera operates. Your best bet is to purchase an accessory bag the same day you buy your camera.


    Nikon Accessory Case
    (Model No: 9627)

    Nikon DSLR accessory case will help keep your D5000 and accessories organized. The accessory bag is rugged and adjustable. It also includes an instructional DVD, which provides advice and information on use and care of Nikon SLR cameras.

    Other Nikon Accessories

    Speedlight SB-400 Enables highly-sophisticated flash photography.
    GPS Unit GP-1 Adds geotags to your images showing longitude, latitude, altitude, and time.
    Remote Cord MC-DC2 Handy for operating the shutter release when using a tripod.
    Remote Controller ML-L3   For wireless shutter release operations.

    Still have questions? Feel free to speak to an expert hhgregg sales associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

    Olympus Stylus 9000: The Big Zoom that Fits in Your Pocket

    Friday, December 4th, 2009

    Sitting atop the Olympus line of Stylus cameras, the 9000 has a pocket-friendly body that hides an amazing 10x wide-angle optical zoom. This means you can take impressive shots in a flash — right from pocket to picture! Packed with features and a wide-angle zoom capable of panoramic shots, the Stylus 9000 splits the difference between a digital SLR and the average point-and-shoot digital camera.

    Although the Stylus 9000 has a solidly built metal chassis, it barely tips the scales at a mere 6.5 ounces. This means it will fit nicely in your hands while shooting and will easily store in a purse, center console, or backpack between photo sessions.

    Olympus Stylus 9000: The Big Zoom that Fits in Your Pocket
    Olympus Stylus 9000 Digital Camera (Model No: STYLUS9000B)

    10x Wide-Angle Zoom Lens
    Not only do you have the power to zoom in close to the auction using the 10x (280mm) optical zoom, but the wide-angle (28mm) lens lets you capture breathtaking panoramic shots.

    One-Button Panoramic Shots
    By simply pressing the shutter button and slowly panning across a scene, the Stylus 9000 captures three images and stitches them seamlessly together to create one amazing panoramic-sized picture. This feature is perfect for taking photos of a lake or mountain range that can’t fit into just one shot.

    Thinking Camera
    The Stylus 9000 does the thinking for you by automatically identifying the scene you’re shooting — portrait, night portrait, landscape, macro, or sport — and adjusts the settings to optimize results.

    Dual Image Stabilization
    It is best to keep the camera as still as possible when shooting all types of photos but if there is any movement, the Stylus 9000 is equipped with the 2-in-1 anti-blur solution. The Sensor-Shift Image Stabilization, which keeps your shot steady by compensating for camera shake, combines with Digital Image Stabilization to capture crisp, clear images in any situation.

    Olympus Stylus 9000: The Big Zoom that Fits in Your Pocket
    Olympus Stylus 9000 Digital Camera (Model No: STYLUS9000B)

    Face Detection
    If you’ve ever taken a photo of friends or family that looked good on the LCD screen but later you discovered their faces were out of focus, those days are over. That’s because the Stylus 9000 tracks up to 16 faces within the fame and automatically brings them into focus. Also, the Stylus 9000 adjusts the exposure for optimal results, even in backlight situations.

    Shadow Adjustment
    This incredible technology brings out more details in shadows and captures scenes exactly as you see them — even in difficult lighting situations like backlight shots.

    Perfect Fix
    Use Perfect Fix to correct shooting mistakes instantly. With the touch of a button, lighten up shadows and remove red-eye, so a less-than-perfect shot can still turn out perfect!

    What’s in the Box?

    • Olympus Stylus 9000 Camera

    • USB Cable
    • Audio/Video Cable
    • Owner’s Manual
    • Wrist Strap
    • Lithium-Ion Battery (LI-50B)

    • Battery Charger (LI-50C)
    • Olympus Master 2 Software CD
    • MASD-1 (microSD adapter)
    • Warranty Card

    Olympus Stylus 9000: The Big Zoom that Fits in Your Pocket

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    Camera Terminology: JPEG & TIFF

    Sunday, October 11th, 2009

    If you’re like most of us on the photographer side of the camera, you’ve heard the terms JPEG (JPG) and TIFF, but you can’t put into words what they mean. You might be able to respond to an inquiry as to what format your camera saves its images to, JPEG for example, but just what is a JPEG?

    JPEG stands for Joint Photo Experts Group and is the most common format for digital images taken by a digital camera (digicam). Some digital SLRs (dSLR) also take photos in TIFF, RAW, or NEF formats. Confused? Keep reading!

    DIGITAL FILE SIZE = PIXEL COUNT

    Many digicams are rated by the maximum pixel count the camera is capable of producing. The pixel count is directly related to the megapixel size of the digital file corresponding to the image the camera produces. For most consumer digicams, each pixel generates 3 bytes of 8-bit RGB (red, green, blue) data.

    Camera Terminology:  JPEG & TIFF
    Canon PowerShot 12.1MP (Model No: SD780ISR)

    This means that a 9MP camera, which has 9 million pixels, generates 27 million bytes of data—that’s 3 bytes per pixel x 9 million pixels = 27MB (megabytes) of data. Some dSLRs can generate extra data (bytes) for additional quality which corresponds to 2 bytes of data for each RGB color—this equates to 16-bit data. By comparison, a 9MP camera which is capable of generating 16-bit data files will produce a 54MB data (image) file.

    JEPG

    You might be thinking to yourself that a 54MB file is huge and you’d be right. But, these files can be compressed using the JPEG format without a significant drop in quality. JPEGs use a mathematical algorithm designed to work with continuous tone photographic images. Basically, a JPEG decides what colors it can keep and what it can afford to do without. This is accomplished by compressing the RGB data.

    As you might expect, the more you compress your image, the more information you lose. It’s just like trying to squeeze an 8×10 photo in a 5×7 frame—you’ll need to cut some of image to get it to fit. However, you can reduce the size of the JPEG by a factor of 10 or so and still get a very high quality image (which should be as good as the uncompressed image for most Internet posting and printing purposes). You can reduce the file size by a factor of 40, or even more, but your image starts to look really bad!

    TIFF

    If you really want to keep your image without losing any data, you’ve got a good choice in saving your image as a TIFF (Tagged Image File Format). A TIFF keeps all the original information, but at a cost—larger files … much bigger. TIFF images can be compressed in a non-lossy way but they really don’t get much smaller than the original.

    Camera Terminology:  JPEG & TIFF

    Camera Terminology:  JPEG & TIFF

    THIRD OPTION

    Some cameras offer a third option, that of saving the actual data generated by the sensor in a proprietary format—Canon calls their version of this format “RAW” and Nikon calls it “NEF.” These files are compressed but in a non-lossy manner, and are significantly smaller than equivalent TIFF files (but are larger than JPEGs).

    Still have questions? Feel free to speak to an expert hhgregg sales associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

    hhgregg proudly carries Canon, Casio, Nikon, Olympus, Samsung, and Sony digital cameras.

    Camera Pairings: Canon Rebel & 300mm Lens

    Saturday, October 10th, 2009

    Not only have digital cameras pushed film cameras back to the stock room, it has become commonplace for virtually everyone to have a camera with them at all times. Some of the most basic digital cameras of today are more advanced than selected top-shelf cameras of just a short time ago. Not to mention sharing photos to the Internet for all the world to see in just seconds versus paying extra for 24-hour developing and even more for double prints. Those days are over.

    Because digital cameras are capable of taking amazing photos, you might forget that there are many accessories and add-ons to improve the performance and capabilities of your digital camera—lenses, filters, tripods, and even taking videos. One of the fun things about the old school 35mm film cameras was swapping out lenses for those special shots when you need some extra zoom—mountain sunsets, nature shots, and youth soccer games

    To show you how easy it is to pair up a digital SLR with a zoom lens, let’s take the Canon EOS Rebel XSi (Model No: REBELXSIBL) and pair it up with a Canon 300mm lens.

    The Canon Rebel has the quality and stats of a pro camera but the point-and-shoot feel for the beginner that still wants a feature or two they can control. The Canon 75-300mm f/4-5.6 III (Model No: 6473A003) lens is from Canon’s EF line of telephoto zoom lenses. Let’s attach the 300mm lens and see how much we’ve increased the capability of the already powerful Rebel.

    REMOVING THE OEM LENS

    The lens is easily removed by gently turning the lens counterclockwise while simultaneously pressing the lens release button (located between the “EOS” and “Rebel XSi” logos). When you can no longer turn the lens, release it from the body of the camera. Once the lens is removed, install the rear lens cap to protect the lens.

    Camera Pairings: Canon Rebel & 300mm Lens

    CameraPairings-2
    Canon EOS Rebel XSi (Model No: REBELXSIBL)

    ATTACHING THE 300mm LENS

    Remove the rear lens cap from the lens and the lens body cap from the body of the camera. Align the EF-S lens with the camera’s white EF-S lens mount index (white dot). Then slowly turn the lens clockwise until it clicks into place. When attaching a non-EF-S lens, align the lens with the red EF lens mount index (red dot).

    Camera Pairings: Canon Rebel & 300mm Lens

    CameraPairings-4
    Canon 75-300mm f/4-5.6 III (Model No: 6473A003)

    The OEM lens for the Rebel has a zoom range (focal length) of 18-55mm and a maximum aperture of f/3.5-5.6. The 300mm zoom lens has a focal length of 75-300mm and a maximum aperture of f/4-5.6. This means the new lens is nearly 5.5 times more powerful than the OEM lens. Because of its zoom power, the 300mm lens has a minimum focus distance of 4.9 feet (1.5m).

    This combination proves to be a perfect match for the amateur or the pro photographer. Now you can capture the far off action of fast-paced sports or zoom in for an intimate portrait with a blurred background.

    Still have questions? Feel free to speak to an expert hhgregg sales associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

    hhgregg proudly carries Canon, Casio, Nikon, Olympus, Samsung, and Sony digital cameras.

    Samsung TL220 DualView Digital Camera

    Friday, September 11th, 2009

    Picture yourself in the Fun!  Samsung proudly introduces a new milestone in digital camera technology. The Samsung DualView Camera with a 1.5″ front LCD screen – a revolutionary feature in the industry- lets you take part in capturing the moment like never before.

    The Samsung DualView Camera lets you see every scene in a completely new and exciting way. Just use the front LCD screen, and set up the perfect shot-with you in it-time after time.

    A host of top-ranked features and technologies, from the 4.6x / 27mm Schneider lens to the 3″ Touch Screen with “haptic” technology, turns this camera into a true must-have. And the small, handheld size makes it easy to take it with you everywhere you go.

    Find out more by visiting Samsung.com or purchase one today at hhgregg.com.

    Point and Shoot Digital Camera Buying Guide

    Monday, August 24th, 2009

    There are many features to consider when shopping for a new digital camera. Point and shoot cameras are still one of the most popular digital camera formats today.

    Samsung TL220 Touchscreen LCDResolution
    One of the biggest factors that determine image quality on your new camera is its resolution. Resolution is measured in megapixels. One megapixel is equivalent to one million pixels. So a 10 megapixel camera takes pictures with 10 million dots in each photo.

    Size
    Although a point and shoot camera is inherently small, size can still be a big consideration. It is important to consider how and where you will be using your camera. A smaller camera is good for someone who plans on carrying it in their pocket, while someone who has a purse or bag may not care about size as much.

    Zoom
    Olympus 12 Mega Pixel Camera with Optical ZoomZoom measures how close a camera is able to bring the action to you. Typically a point and shoot camera will have between 2 and 6 times zoom. There are newer super zoom cameras available now that can go as high as 20x or even further.

    It is also important to remember that there are two types of zoom: optical and digital. Optical zoom is by far better than digital zoom since it relies on the camera’s optics to zoom. Digital zoom on the other hand essentially enlarges the pixels to zoom, resulting in images that can be grainy and lower resolution.

    Price
    Above all things it is important to set a budget. Remember to include in your budget the cost of a memory card and possibly an extra battery. It is also wise to purchase something in which to carry and transport the camera.

    Sony Webbie HD Camera & CamcorderBattery
    Better cameras will use a rechargeable battery. The best batteries will be the ones that use lithium ion or lithium polymer technology. These batteries can be built small and have no lasting memory effect, meaning you don’t have to discharge the battery before attempting a recharge. A good battery will also last much longer than a camera which uses AA or AAA batteries.

    Video Recording
    You might not have though about it, but most digital cameras today can also record video. Some will record higher resolution and faster frame rates than others. If you plan on recording video with your camera, be sure to get one that records high resolution and fast frame rates.

    While everyone’s needs for a camera will be unique, it is important to remember to get a camera that best fits your needs and your budget. Shop around and don’t be afraid to ask questions. Chances are this will be the camera used to capture many of the important moments in your life for years to come.

    What is ENERGY STAR®?

    Thursday, April 23rd, 2009

    ENERGY STAR was created in 1992 and is a joint program of the U.S. Environmental Protection Agency (EPA) and the U.S. Department of Energy (DOE). The program is considered an international standard for identifying and promoting energy-efficient products that reduce consumption and greenhouse gas emissions from power plants. Although the program was created in the United States, many other countries-Australia, Canada, Japan, New Zealand, Taiwan, and the European Union-have also adopted the program as their standard.

    What is ENERGY STAR?

    Participation in the program is considered voluntary for manufacturers and individual products in a company’s catalog can be qualified as ENERGY STAR. The first products to pass the stringent qualifications and proudly wear the blue label were computers and monitors. The label is now affixed to over 60 product categories (and thousands of models) including:

    • Major Appliances
    • Home Electronics
    • Office Equipment
    • Lighting
    • Buildings

    HOW MUCH CAN I SAVE?
    The typical American household spends nearly $2,000 a year on energy bills to power appliances and electronics. When using qualified products, savings can reach 30 percent or more and return $700 back into your bank account. These savings also show a marked reduction of greenhouse gas emissions.

    One of the fears of going “green” with consumer products is they won’t perform as well as their energy-burning counterparts. Not true. Qualified products deliver the same or even better performance as comparable models while using less energy to operate. With energy bills being a hot news topic on the minds of consumers, conservation can also come in the form of what to do when you’re not using a product.

    You might be surprised to learn that products-even ENERGY STAR qualified products-use electricity whether they are on or off. It doesn’t matter if the appliance is off but plugged directly into the wall or if your cell phone charger is plugged into the wall but your phone is in your pocket-they both use waste electricity. If you’re working online but want to run to the refrigerator for a snack, put your computer to sleep. The five minutes you just spent eating your sandwich and chips just conserved some energy.

    What is ENERGY STAR?

    WHAT CAN I DO?
    The first thing a consumer can do when shopping for a new appliance or electronic item is place ENERGY STAR at the top of their checklist. Even if you already own qualified products, there are other things you can do to ensure you’re conserving energy.

    Washers – Don’t run your washer until you have a full load and always wash in cold water, if possible. An ENERGY STAR qualified washer will save 75,000 gallons of water over its lifetime and save you $550 at the same time.

    Televisions – An ENERGY STAR qualified model is 30 percent more energy-efficient. Simply turning off the TV when you’re not in the room will save a lot of energy.

    Computers – If you really need to leave your desktop or laptop computer on when you leave the room, let it take a nap while you’re gone by putting it to sleep.

    Light Bulbs – When the light bulbs in your home burn out, replace them with compact fluorescent lamps (CFL). They are 75 percent more energy efficient than a traditional incandescent bulb, last as much as 10 times longer, and produce 75 percent less heat.

    What is ENERGY STAR?

    Ceiling Fans – An ENERGY STAR qualified ceiling fan is 50 percent more energy efficient and spins quieter and faster. To ensure your ceiling fan is operating at its optimum, set the fan to spin clockwise in winter and counterclockwise in summer.

    ENERGY SPENT – Where did it all go?
    If you were to take inventory of every single item in your home that consumes electricity, the number would probably surprise you. Additional items-multiple TVs, gaming systems, and the freezer in the garage-all affect your family’s annual utility bill even more. Let’s look at a typical household’s annual utility bill and see where the money went and how much you can save:


    Heating

    Cooling

    Water Heater

    Other

    Lighting

    Washer/Dryer

    Refrigerator

    Dishwasher

    TV, VCR, DVD

    Computer/Monitor

    $688

    $257

    $245

    $239

    $184

    $107

    $87

    $47

    $35

    $22

    TOTAL

    $1,900


    If all 10 items listed were using ENERGY STAR qualified products, your family could save 30 percent off your utility bill which equates to $600 annually. That amounts to more money than your water heater, lighting, washer/dryer, TV, and computer combined!

    The average house is responsible for 22,000 lbs of greenhouse gas emissions per year-twice as much as the average car. An ENERGY STAR qualified home can prevent 4,500 lbs of greenhouse gasses from entering the atmosphere each year.

    QUALIFICATIONS
    Manufacturers go the extra mile when preparing and submitting their products for qualification testing. Their research and development teams specifically design products with the ENERGY STAR qualification in mind. Each product category has different qualifications that must be met.

    Dishwashers – Must use at least 41 percent less energy than the federal minimum standard for energy consumption.

    Refrigerators – Must use at least 20 percent less energy than required by current federal standards and use 40 percent less energy than conventional models sold in 2001.

    Freezers – Must use at least 10 percent less energy than required by current federal standards.

    Computer Monitors – Must use from 25-60 percent less electricity than standard models, depending on how they are used.

    Televisions – Must use approximately 30 percent less energy than standard units.

    Home Audio – Must use approximately 6 percent less energy than standard models.

    FINAL THOUGHTS
    In 2008, Americans-with the help of ENERGY STAR-saved $19 billion on their energy bills and avoided greenhouse gas emissions equivalent to 29 million cars. Since the program’s inception, Americans have purchased more than 2.5 billion ENERGY STAR qualified products. And it doesn’t stop there-qualification has branched out to businesses, street lights, vending machines, and more.

    Through its partnership with more than 15,000 public and private sector organizations, ENERGY STAR will continue to provide the tools and technical information to both consumers and businesses so they can make informed, energy-efficient decisions.

    Still have questions?-feel free to speak with an hhgregg associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

    Recycle Your Appliances & Electronics

    Tuesday, April 21st, 2009

    When purchasing a new appliance or television, you might not have thought of what to do with the old one until the new one is in your home, ready to be installed. Now what? There’s always the option of putting your old TV in your bedroom and the old refrigerator in the garage. But then again, you replaced them because they were old, not working right, and didn’t match the new colors of your kitchen remodel.

    Most waste management programs consider preventing waste even before it happens as the most viable option-even above recycling. This means if your appliance or electronic items are still in working condition, consider selling them or donating them to a charity or other donation center for reselling. The benefit for this is twofold: when the charity sells the item, the proceeds go to medical research or other worthwhile causes and some items end up in the homes of needy families to be used again.

    If your appliance has seen better days and is in dire need of repair, skip the charities and donation centers and just recycle the item so that someone else doesn’t end up with your problems. In most cases, recycling doesn’t cost you anything but a small amount of your time and you just might end up with a few dollars in your wallet in the form of cash or a tax deduction on your annual return.

    Recycle Your Appliances and Electronics

    WHY RECYCLE?
    There are a multitude of reasons to recycle your appliances and electronics-the most important of which is pollution-or rather the prevention of pollution. When you see a TV sitting quietly curbside waiting for the weekly trash pickup service, you can be sure there are toxic chemicals inside the unit that can pollute our earth and waterways. Other forms of pollution are the efforts needed to mine new resources-such as aluminum, gold, and steel-instead of reusing what’s already been dug up and processed.

    The best thing to do is find a local recycling center to donate your items. If they have free, local pickup, your end of the deal could be no more than placing a phone call and setting the item outside in an area accessible to their crew. The recycling center will disassemble the unit to retrieve metals and other items that are used again-recycled-to create new TVs and other products.

    Recycle Your Appliances and Electronics
    CRT Processing Corporation (Janesville, WI)
    They specialize in the proper recycling of used or obsolete
    computer monitors, televisions, and other electronic equipment.
    HAUL IT AWAY
    One option you’ve got that won’t cost you time or money is to have hhgregg haul your old unit away-for free-on a one-for-one exchange basis. This means our delivery team will haul away your old refrigerator when they arrive to deliver your new refrigerator. Now that’s service! Here’s a list of items that hhgregg will haul away when they arrive to deliver a like item:

    Refrigerators
    Washers/Dryers
    Ranges
    Microwave Ovens
    Dishwashers
    Televisions

    If you have any questions about this policy, please review our “Home Delivery Do’s and Don’ts” or contact the hhgregg store nearest your home.

    OPTIONS & CHOICES
    You can be sure that every single appliance and home electronics piece of equipment in your home-including video consoles/games and cell phones-has a recycling center that wants your stuff. Here are some resources to find an organization to handle your unwanted items:

    Samsung – Launched on October 1, 2008, Samsung Recycling DirectSM is a national program which enables consumers to conveniently and responsibly recycle their old electronics. Samsung Recycling DirectSM provides more than 170 fixed drop off locations spread out over all 50 states. To find the location nearest you, click here.

    myGreenElectronics – Learn about the 4 R’s (Reduce, Reuse, Recycle, Rethink) and find recycling centers in your neighborhood by ZIP Code.

    AT&T Reuse and Recycle – They offer the option to bring unwanted cell phones, Personal Data Assistants (PDAs) and other accessories (regardless of the manufacturer or carrier) to an AT&T operated store or participating authorized dealer store near you. Use the store locator to find a participating store near you.

    Earth 911 – Earth 911 is a comprehensive communication medium for the environment. Earth 911 has taken environmental hotlines, web sites and other information sources nationwide, and consolidated them into one network. Once you contact the Earth 911 network, you will find community-specific information on eCycling and much more.

    Rechargeable Battery Recycling Corporation (RBRC) – If it’s rechargeable, it’s recyclable! RBRC can help you recycle portable rechargeable batteries commonly found in cordless power tools, cellular and cordless phones, laptop computers, camcorders, digital cameras, and remote control toys. Search for collection sites by Zip Code.

    Sony – Has a recycling program that makes it easy to dispose of electronics in an environmentally-safe way. Bring your unwanted electronic products to any participating drop off center and recycle it for free.

    Hewlett-Packard (HP) – Their recycling program includes hardware, LaserJet supplies, and Inkjet supplies. They also have a trade-in program.

    LG Electronics – Offers consumers-free of charge-recycling of any product such as televisions, monitors, audio equipment, video cassette players and recorders, DVD players and recorders, combination TV/VCR and TV/DVD units, set top boxes and accessories associated with those products that have the LG, Zenith, or Goldstar brands. Consumers can drop off up to five items at any one time for free at any of these locations.

    Toshiba – With the Toshiba Free Electronic Program you can recycle your old electronics regardless of the brand and at no cost to you. They also provide a trade-in option should you want to trade in your used products for cash.

    Motorola – Consumers can visit Motorola’s website to print out postage-paid mailing labels (PDF) and send in any unused phones or accessories. They accept any mobile phone or accessory-not just Motorola products.

    1-800-Got-Junk? – Full-service junk removal company that will remove almost anything-including appliances. Plus, they do all the loading and cleanup-wherever the item is located. This means you don’t have to lift a finger and they’ll retrieve the item out of your basement, garage, kitchen, etc.

    recycleae-3

    FINAL THOUGHTS
    The most important thing to remember is that we all have choices in the proper disposing of appliances and electronics that don’t work anymore or have been replaced with the latest and greatest advances in technology. Dumping them in the trash is not an option and could have long-term affects on the environment-where we all live and breathe.

    Some states have enacted legislation around disposal of consumer electronics. Since July 20, 2006, all waste computer monitors and televisions generated by households in the state of Maine must be recycled unless shipped out of state for disposal. For information on regulations in your area, contact your local municipality to inquire about private and state-funded recycling programs.

    Still have questions?-feel free to speak with an hhgregg associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

    Digital Film – Flash Memory Storage for Digital Devices

    Tuesday, March 31st, 2009

    Flash memory has changed the face of removable and portable storage for digital devices. There are dozens of flash memory formats on the market, which are considerably smaller, have faster read/write times, and store more data than their predecessors of yesterday. In fact, you can store more data on a flash drive that fits onto your key ring than a small mountain of floppy disks from just a few years ago.

    Flash memory is a lot like your home computer’s memory in that it is often used to hold control code such as basic input/output system (BIOS) information. But, flash memory has the ability to act like a hard drive in terms of being able to store data-large amounts of data. And unlike your hard drive, flash memory is non-volatile. This means no power is required to maintain the information stored in the chip.

    Other reasons why flash is so universally accepted are its durability and kinetic shock resistance, ability to withstand extremes of temperature, and even immersion in water.

    HISTORY
    The initial steps of the digital age to bring the PC into the American home were usually not much more than a keyboard, a mouse, a monitor, and maybe a dot matrix printer. It wasn’t long before users wanted to transfer information from one computer to the next or simply share their data between family and colleagues.

    The industry tried many forms of magnetic storage mediums to satisfy the needs of consumers and businesses alike. For short periods of time they all performed well: 1.44MB diskettes, SuperDisks, Zip disks, magnetic tape, and more. All these mediums eventually failed and were replaced by flash technology because of three key reasons:

    1. Magnetic media is susceptible to accidental erasure: degaussing by exposure to magnets, AC-powered equipment, heavy power lines, and power transformers. Magnetic media is also quite vulnerable to environmental degradation.
    2. Both the storage medium itself and the device consist of many mechanical parts and users risk the chance of having a device malfunction, making it impossible to read or write to the storage medium, resulting in permanent data loss.
    3. Compatibility issues such as storing files on a Zip disk meant the next user needed access to a Zip drive to read or transfer the files.

    FLASH CARD TYPES
    Which type of flash memory card you’ll need depends on the type of device you have. Some devices can accept more than one type of flash memory card. For example, the Sony 10.2MP Digital SLR (Model No: DSLRA300K) accepts the CompactFlash Type I/II cards and the Memory Stick Duo Pro card. When purchasing a device that stores files on flash memory, ensure you have the correct storage medium.

    By far the most popular flash memory card for digital cameras is the Secure Digital (SD) card. The SD card is nearly identical in size to the MultiMedia Card (MMC) but technically very different on the inside. Not all cameras that use SD cards can also use MMC cards, so check your camera’s user manual.

    The following chart shows a few of the more common types of flash memory cards and gives usage examples for each card: 

    Digital Film – Flash Memory Storage for Digital Devices 
    Digital Film – Flash Memory Storage for Digital Devices 
    Digital Film – Flash Memory Storage for Digital Devices 
    Digital Film – Flash Memory Storage for Digital Devices
    Digital Film – Flash Memory Storage for Digital Devices

    STORAGE CAPABILITIES
    The number of photos, songs (minutes), and other data that can be stored on a particular flash memory card will depend on the file’s format resolution and compression, and the device model itself. Plus, the actual usable memory capacity may vary by each card.

    The following chart compares how many images (2MP to 12MP) can fit onto an individual flash memory card (128MB to 4GB): 

    Digital Film – Flash Memory Storage for Digital Devices

    The following chart shows how many four minute songs in MP3 format can be stored on an individual flash memory card (128MB to 4GB):

    Digital Film – Flash Memory Storage for Digital Devices

    The following chart shows how many minutes of video in MPEG4 format can be stored on an individual flash memory card (128MB to 4GB):

    Digital Film – Flash Memory Storage for Digital Devices

    SPEED READ RATINGS
    With the megapixels rating of digital cameras and other personal electronics going through the roof, the file sizes are getting larger too. This requires more time to write the file to the flash card. Looking for flash media with a higher “X” rating will help store files faster if you have a bad habit of holding down the shutter button on your digital camera.

    The “X” rating of flash memory is defined as the minimum sustained write speed from the device to the flash card. For example, Lexar’s 8GB 80X CompactFlash card can record (write) data from the device (e.g., digital camera) at the speed of 12MB per second. How is that calculated?

    80 (write speed) x 150,000 (150KB/sec*) = 12,000,000 bytes** 

    *1KB = 1,000 bytes
    150 bytes x 1,000 = 150,000 (150KB/sec)

    ** 1MB = 1 million bytes
    12,000,000 bytes divided by 1,000,000 bytes = 12MB per second of write speed

    Some flash memory is rated only by their read speed while others are rated only by their write speed. Typically, read speeds are higher than write speeds so the write speed is more meaningful when measuring performance of the flash card. That’s because most consumers usually care more about how long the data takes to write to the card, not how long it takes to read the data once it is on the card.

    X-RAYS & METAL DETECTORS
    Some travelers have a concern about whether or not airport X-ray machines and metal detectors (walk-thru and hand-held wand) will damage their flash memory cards or the hardware itself (e.g., digital camera, laptop, etc.). The answer is … no! An X-ray machine does not damage or destroy electronic equipment or its associated media.

    The reason for this is because X-ray machines emit electromagnetic energy, which is not magnetic. In fact, X-rays are just light waves of a specific wavelength (like visible light, infrared light, microwaves, and radio waves). Metal detectors used at airports also work on the principles of electromagnetic induction. Since electromagnetic energy is essentially invisible light and flash technology is not sensitive to light, your images, data, and your equipment will not be harmed when exposed to X-ray machines and metal detectors.

    Digital Film – Flash Memory Storage for Digital Devices

    FINAL THOUGHTS
    When shopping for a digital device, include the type of flash media it uses as one of your considerations. If your printer has flash card slots, ensure the flash card in your new camera will work in your printer. Also, if you’re buying a digital camera and you want to display your work on a digital picture frame, ensure the flash media is compatible with the device.

    If your PC doesn’t have flash card slots preinstalled in a drive bay, a card reader might be a great option for you to move files from your digital device onto the hard drive of your computer.

    Still have questions?-feel free to speak with an hhgregg associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

    Optical Viewfinder vs. LCD Screen

    Tuesday, March 10th, 2009

    If you’ve ever owned a camera, there’s always that ONE time when you wished you had it with you to capture a family outing, a celebrity sighting or awesome natural wonder. For this reason, manufacturers have continued to shrink the size of the point-and-shoot camera, allowing you to take it with you almost anywhere – but at what cost?

    Optical Viewfinder vs. LCD Screen
    Sony Alpha 300 dSLR shown with a viewfinder and LCD screen.

    Taking a closer look at today’s digital cameras, many manufacturers have opted to include an LCD screen in addition to, or replacing entirely, the optical viewfinder. Apart from one being a looking glass while the other is a monitor, few may realize their other significant differences:

    Battery Life – An optical viewfinder requires no power, while an LCD uses a relatively large amount of power. If you find yourself continually swapping batteries or losing juice only half-way through your event, you might consider turning the LCD off in favor of the optical viewfinder, or ditching the LCD altogether.

    Shooting in Bright Sunlight – Just like trying to watch television or use your cell phone in broad daylight, the sun often glares off the LCD’s surface making it difficult to see the picture. Most optical viewfinders are recessed into the camera, offering much more protection and versatility for use in highly lit areas and broad daylight.

    Image Stabilization – When using an optical viewfinder, you actually use your nose and cheekbone to help stabilize the camera as you snap your shot, resulting in sharper images. With LCDs however, the camera is held away from you, at times in only one hand. This provides little stabilization as you jerk the camera slightly when pressing the button, often resulting in blurry or fuzzy photos. If you plan on using the LCD screen, be sure you have steady hands or the aid of an image stabilization system.

    Cropping – Most viewfinders will not give you a 100 percent view of the actual photo being taken. This could be either an advantage or disadvantage depending on whether you like to crop/edit your photos before printing. If a viewfinder only shows 90 to 95 percent of the actual image, you’ll have five or 10 percent of editing room to rotate the image (level the horizon) and center the subject in the photo. If you do not edit your photos before printing them you may end up with more background than intended.

    It is extremely difficult to get perfect composition in every shot, so the added 5 to 10 percent for editing acts as a buffer. Besides, the photographer’s mind should be focused on the subject and snapping the shot at the perfect moment, not trying to make sure the camera is level or zoomed in precisely.

    Flexibility – LCD screens on some cameras have the capability to “flip” outward away from the camera and rotate 360 degrees. This makes taking pictures of yourself and getting that difficult shot over the person’s head in front of you a breeze. No more guessing as to where you need to aim the camera, just flip and/or rotate the LCD screen, frame your subject and shoot.

    FINAL THOUGHTS
    Whether you’re picking out a new digital camera or operating your existing camcorder, understanding the differences between an optical viewfinder and LCD screen will help you become a better photographer/videographer. Conserve precious battery life by turning off the LCD. Use the optical viewfinder in highly-lit areas or broad daylight. Reduce the chance of fuzzy images by using the optical viewfinder. Capture the entire image by understanding how much of the actual photo is shown in the optical viewfinder and LCD screen. Don’t let obstacles get in your way of the perfect shot when you use a flip out LCD. These are just a few ways that digital helps you take/make better photos.

    Still have questions? – feel free to speak with an hhgregg associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

    Digital Cameras: The Shutterbug Guide

    Wednesday, March 4th, 2009

    With 35mm film cameras, it used to take days, or even weeks, before you could find out if your vacation photos turned out or not. Then your photos would be stored in one of those photo albums with the acid-free sticky pages or slide carousels and they’d never see the light of day. Today’s shutterbug can have their work posted live on the internet within seconds of being shot for the entire world to see.

    Quite possibly the largest individual technology jump in the digital revolution is the transition from film cameras to digital cameras (aka digicams). Whether you shoot one photo a month or 200 shots a day, they’ve become so inexpensive and easy to use that it is feasible to take high-quality wedding photos with a digicam, right out of the box.

    Let’s take a look into point-and-shoot digital cameras and the more advanced digital SLRs (dSLR) and help guide you to the digicam that’s just right for you. We will also describe to you the features and functions that make digital photography fun.

    WHAT IS IN YOUR VIEWFINDER?
    Buying a camera that suits your needs and fits your budget will provide years of service and headache-free use. The #1 mistake consumers make is not buying a camera they’ll outgrow in a few months; it is buying a camera that is way beyond what they really need. If you’re just taking photos a couple times a year, a 15MP dSLR camera capable of producing poster-sized images by the thousands is simply more camera than you’ll ever need.

    Deciding what you’re really going to take photos of will keep you in freeze frame mode once the newness has worn off. What’s left will be a tool that will take images of vacations, weddings, birthdays, and dozens of zoomed-in shots of flowers and bugs. Your family and friends might even begin to avoid you once they see you armed with your camera to take yet another photo.

    In simplest terms, are you going to stay in an automatic mode or are you becoming a self-taught student of photography? This will separate the simple (point-and-shoot) for the sophisticated (dSLR). What’s the difference between the two?

    POINT-AND-SHOOT
    This category has three different types of cameras; standard, sleek and slim, and advanced. The advanced point-and-shoot can have the physical appearance of a dSLR but still have the more automatic usage and basic attributes. Cameras in this category are easy to use, have minimal settings and adjustments, and will get the job done. Essentially, these cameras operate mostly on auto mode and all you do press the button; hence, point-and-shoot.

    For a first-time buyer or a camera for a teenager, these cameras are the least expensive and are perfect for taking photos for social networking websites and e-mailing images to friends and family. A sleek and slim model can easily fit into your purse or center console in your car. Here are some examples of point-and-shoot cameras available from hhgregg:

    Digital Cameras: The Shutterbug Guide

    dSLR
    By definition, a dSLR is a digital single-lens reflex camera. These are the tools and best friend of the serious amateur and the pro photographer. If you’re shopping for one of these works of art, chances are you find out what all the buttons and switches do and you’ll go through every menu on the LCD screen. Photography is in your blood and your camera is your most-prized possession. These cameras are larger in size and provide options and features only available on dSLR cameras. One of these features is the ability to change lenses. Here are some examples of dSLR cameras available from hhgregg:

    Digital Cameras: The Shutterbug Guide

    MEGAPIXELS
    Probably the most common qualifying specification you’ll hear about digicams is the grand total of megapixels. Judging a camera based solely on megapixels is a mistake. Although there is some truth to the amount of megapixels being an overall indicator of a camera’s quality and capability, it is a mistake to judge a camera based solely on that one factor.

    What is a megapixel anyway? Mega means ‘one million’ so when you add it to ‘pixels,’ it becomes one million pixels. For example, a digicam rated at 7.2 megapixels has a maximum individual image capturing size capability of 7,200,000 pixels (cameras are usually rounded up in their megapixels rating).

    The term megapixel is used to calculate the total number of image sensor elements in all digital images. A digital camera with an array of 3096 x 2320 image sensor elements will be rated at 7.2 megapixels (3,096 x 2,320 = 7,182,720 pixels) – rounded up that would be a 7.2 megapixel camera.

    Another way to view the image sensor elements is to look at the aspect ratio of the image. The 3096 x 2320 image is displayed at an aspect ratio of 4:3 (1.33:1). What do these numbers mean?

    4:3 = for every 4 pixels wide, the image is 3 pixels tall
    1.33:1 = means the width of the image is 1.33 times one full length of the height

    OPTICAL ZOOM vs. DIGITAL ZOOM vs. SmartZoom
    Which is better, optical zoom or digital zoom? Now that’s a question for the ages. Since only one of them, optical zoom, is really zooming (movement of the optics) closer to and away from an object, then hands down, optical zoom wins. But, what do the ratings imprinted on the side of your camera mean if it states 10x Optical Zoom and 4x Digital Zoom? First, let’s define exactly what optical and digital zooming are and then we’ll put them head-to-head along with SmartZoom.

    Optical Zoom
    As the name implies, optical zoom is optically zooming in closer to the image you see in the viewfinder or LCD screen. The range (e.g., 1x, 5x, 8x) of the lens is the ratio of the length of the lens when zoomed in close versus its length at the widest setting (no zoom at all). Quite literally, the lens moves in and out to adjust for the settings controlled by the photographer. If your camera is rated at 10x optical zoom, that is the maximum range of your optical zooming capabilities. You can still zoom in and take photos at 1x, 5x, 8x, etc.

    Digital Zoom
    This is literally an invention of the digicam revolution and really has nothing to do with optically zooming in closer to an image. The reason for adding digital zoom to optical zoom is twofold. One reason is better optics cost more money. So a camera lens setup that can zoom optically 14x would cost more than lenses rated at 10x. A lens zoom rated at 10x optical and 4x digital equals 14x zoom, right? Yes, but not exactly.

    The 10x optical zoom is truly zooming in closer to the object 10 times closer. When your camera’s 10x optical zoom has reached its limit and you still want to move in closer to see the wings of a fly, your 4x digital zoom kicks in. But, it is not actually moving in closer to the image. The digital zoom is actually enlarging the pixel size, causing it to appear as though you’re zooming in further. But, you’re actually still at 10x zoom.

    When you increase the pixel size of an image, you reduce the overall quality of the image. Interpolation, the act of digital zooming, enhances the image with some loss of image quality. You can achieve better results if you take the picture at the optical zoom limit and then use the tools available in image editing software such as Photoshop or Paint Shop Pro.

    SmartZoom
    There is even a third zoom to consider but just like digital, it isn’t a real zoom. Sony has developed a digicam feature they call SmartZoom. It is better than digital zoom in that there is no interpolation but instead, the image is cropped. For example, if you’ve shot a 5MP image the SmartZoom will only capture 3MP but will still obtain a full-quality zoom at the cost of megapixels. Once again though, you’re better off cropping your images in a photo editing software where you control where the crop is taking place and other attributes of the software (brightness, contrast, etc.).

    Zoom Summary
    Now that you know optical zoom, digital zoom, and SmartZoom, the decision is obvious. If you want real zoom power, optical zoom is the way to go. With digital zoom or SmartZoom, you’re either simulated zoom (interpolating) or cropping (losing resolution) – neither of which are zooming. Only use them if you have no other choice (e.g., no editing software).

    Digital Cameras: The Shutterbug Guide

    PRINTING PHOTOS
    You can run your own personal print shop from your desktop with today’s photo printers. With a high-quality image from your digicam, a good photo printer and photo paper, your local photo lab would be hard-pressed to outdo the job you can do at home for small quantities. But how do you match up print size to megapixels?

    The chart below is a guide to ensure you get the best print possible. The .jpg from your camera was probably saved at .72ppi (pixels per inch) but to get a good print you’ll need at around 240ppi. To figure out what size your printed photo will be based off of your image resolution, divide the width and the height by your desired pixels per inch (in this case, 240ppi).

    Digital Cameras: The Shutterbug Guide

    Digital Cameras: The Shutterbug Guide

    Another point to consider before printing is cropping the image. For example: if you start with a 5MP image that has a resolution of 1936 x 2584 and then you crop it to 1700 x 2300 to remove some of the background, you won’t be able to print it at 8″ x 10″ anymore without the image distorting. That’s because the image would have to be stretched to regain the original resolution of 1936 x 2584. This is especially important if your cropping isn’t proportional. If you end up cropping more of the image’s height than width or vice versa, then the image won’t be at the 4:3 (1.33:1) aspect ratio anymore.

    ACCESSORIES
    Don’t forget the accessories you’ll need like a bag to transport your camera. You don’t want to invest all your money into the camera itself and then be short of cash in the final outlay when you discover some other goodies you’ll need to take that perfect shot.

    Although you’d think some accessories such as a bag or at least one digital memory card would be included in the original packaging, this is usually not the case. Review your what’s inside roster before taking your camera home and you’re way anxious to take some photos only to find there are no batteries, memory card, etc.

    Other items to consider when purchasing your camera are:

    • Memory Cards
    • Spare Batteries
    • Bag/Case
    • Recharger
    • Additional Lenses (for DSLR only)
    • External Flashes
    • Tripod/Monopod

    If you already have some camera gear and it’s still in good shape, check to see if it is compatible with the camera you’ve got your heart set on. The money you save recycling your old gear can extend your buying power for the ultimate dSLR.

    DIGITAL PHOTO STORAGE
    Along with the transition from 35mm cameras to digital cameras, came the change from using film to store images to digital media to store images. There are two key differences between the film of yesterday and the advances in digital media of today.

    1. Large Storage Capacity – One roll of 35mm film might store 36 images while one SanDisk Extreme III compact flash card holds 32GB. Instead of being restricted to just 36 shots per roll of film, a photographer could go camera crazy while not worrying about developing costs or wasting film.
    2. Reuse & Reuse & Reuse – Unlike 35mm film, images stored on digital media can be stored indefinitely, altered and the saved again, copied and/or moved to other digital media and hard drives, or deleted altogether to make space for a new image.

    The make or model of your camera will be directly associated with the media used in your camera. Some digital cameras have built-in hard drives that can store a few images before requiring the use of removable storage media. There are several types of removable digital media available on the market today.

    • CompactFlash (CF)
    • Memory Stick
    • xD Picture Card
    • Secure Digital (SD)
    • MultiMediaCard (MMC)
    • SmartMedia
    • Mini CD-R R/W

    To learn more about digital media, read our Learning Center article entitled “Digital Film – Flash Memory Storage for Digital Devices.”

    FINAL THOUGHTS
    A new digital camera can easily bring out the novice or pro photographer in all of us. Create, store, change, e-mail, post, and share; the possibilities are only limited by your imagination. Don’t eschew or sally forth the world of digital cameras; embrace it and you’ll be rewarded with images that will amaze your eyes and capture memories that will last lifetimes and beyond.

    Now that you can chat megapixels, zoom, and digital storage with the best of them, following these easy steps and you’ll be saying, “Smile everybody!” in no time.

    STEP 1 – Set a budget.
    STEP 2 – Decide what you’ll be using your camera for.
    STEP 3 – Choose between point-and-shoot and dSLR.
    STEP 4 – Select megapixels, zoom, and storage media to fit your needs.
    STEP 5 – Pick out other accessories you’ll need (bag, batteries, etc.).
    STEP 6 – Have fun!

    And lastly, cameras don’t take great photos, photographers do.

    To browse hhgregg’s digital camera selection including lenses, storage media, digital picture frames, printers, and more, click here.

    Still have questions? – feel free to speak with an hhgregg associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

    Digital Camcorders: Memories on Media

    Wednesday, March 4th, 2009

    If a picture is worth a thousand words, then digital video speaks volumes and endlessly. Plus, the added feature of audio to the video greatly enhances the moving images. Like most of the digital revolution, the camcorders of today have their predecessors. The bulky, shoulder-borne contraptions resembled television station cameras. They fell short on features, and barely got the job done. Not to mention the price tag gave many a consumer serious sticker shock.

    Today’s digital camcorders have shrunk to fit in the palm of your hand and enable the parents who record every single thing the kid does a wide spectrum of features and recording media to choose from. The new and improved line of digital camcorders have tossed VHS tapes aside and now have the capability to record in high-definition on a variety of media. Plus, the family cinematographer has the ability to perform a full spectrum of editing and embellishing options via software installed on your home PC.

    With technology advancements brings a plethora of choices and options to select the perfect camcorder. To add to the selection processes, the types of camcorders have multiplied:

    Digital Camcorders - Memories on Media

    Lightweight, easy-to-use, multiple storage options, still photography and PC webcam capabilities, and more. How do you decide which camcorder is best for your needs today and in the future? Follow these six easy steps and you’ll be pressing the record button in no time!

    STEP 1 – Set a Budget
    Chances are you’re going to keep your camcorder for many years so your purchase should involve a little forethought and planning to match your needs and your budget to the camcorder of your dreams. Set a realistic budget … and stick to it! Did we mention to set a budget?

    In setting a budget, don’t just think of the camcorder itself. Sundry other accessories might stretch the seams of your wallet and exceed what you can afford. Plan ahead for these necessary items and there won’t be any missteps.

    STEP 2 – Choose High-Definition (HD) or Standard Definition (SD)
    When selecting a camcorder, choosing between high-definition and standard definition is mostly personal choice.

    The video resolution for a SD camcorder is 640 x 480 and is without a lot of the technologies available with HD. With HD, you’ll get advancements such as video resolution as high as 1080p (1920 x 1080) and surround sound. Plus, editing will be easier and will provide more options such as adding special effects to you vacation videos.

    Your decision to record in HD might be as simple as your HDTV. Why record your son’s soccer game in SD and then play it back on an HDTV? Most camcorders offer the flexibility to record in SD (4:3) or HD (16:9). With filming in HD, you can burn your HD video to a DVD and play it in a Blu-ray Disc player (AVCHD compatible) for the home theater experience including surround sound.

    STEP 3 – Recording Media Storage Options
    In your erstwhile camcorder days, you had two choices of recording format to be used in a camcorder; VHS and Betamax, both tapes. They battled for camcorder supremacy for a long time but oddly enough, both of them are now history and are now considered technological dinosaurs. The current choices have nearly doubled since those days but have no fear, choosing a camcorder is now easier than you might think.

    Two of the recording formats, MiniDV and HDV, rely on tapes for recording and storing your video, while AVCHD (Advanced Video Codec High Definition) has gone totally tapeless. They use hard disk drives, memory cards (SD/MMC), and DVDs (mini and standard) to store video.

    Let’s clear something up before we continue; hard disk drives, memory cards, and DVDs are storage mediums, not recording formats. They are the media that your video is recorded onto. For example, you can have an AVCHD camcorder that uses memory cards for storing everything after you hit the record button; AVCHD is the format and memory cards are the storage.

    MiniDV – These little workhorses are capable of recording, playback, and editing of standard-definition (4:3) digital video and audio onto small, high-density videocassettes known as ‘S’ size. Each videocassette can record 60 minutes at Standard Play (SP) or 90 minutes at Long Play (LP). There are also 80 minute videocassettes that use a thinner tape; they can record for 80 minutes set on SP or 120 minutes set on LP. Both SP and LP record exactly the same signal and video information. You will not be able to differentiate a recording taped at SP and another tape recorded at LP because the video and audio are of identical quality between the two speeds.

    Digital Camcorders - Memories on Media

    HDV – Two attributes of the HDV format stand out right away; they use videocassettes identical to the ones used in MiniDVs camcorders and they record using a true (1920 x 1080i) high-definition signal with a 16:9 aspect ratio. Most HDV camcorders have the ability to record in standard definition while you make the transition to high-definition at your own pace.

    For consumers, an HDV unit is a MiniDV camcorder with high-definition capabilities. HDV is also used for commercial and professional camcorders costing thousands of dollars.

    This format is inexpensive to purchase and operate since the tapes are so reasonable to buy, especially in bulk. You can record on the tape, upload the video to your PC/Mac for editing and then place the tape on the shelf for archiving purposes. No need to reuse tapes over and over to save money.

    AVCHD – This is a format capable of recording in standard definition and high-definition for use in digital, tapeless camcorders. That’s right. They are completely sans tapes and instead record using hard disk drives, memory cards, and DVD (mini and standard discs). For high-definition recording, all the major definitions are supported: e.g., 720p, 1080i, and 1080p.

    MiniDVD – The original media specified in the AVCHD standard is the DVD disc. To ensure the camcorder did not need to grow in size to accommodate the standard size DVD (4.75-inches, 12cm), only the MiniDVD (3.16-inch, 8 cm) can be used. Although the MiniDVD is compact, its storage capacity is a respectable 1.4GB for single-sided, single-layer discs and 5.2GB for double-sided, double-layer discs.

    DVD – You can record straight onto a DVD+R and enjoy easy and convenient playback on a standard DVD player. This familiar type of storage medium offers space to store up to 480 minutes (eight hours) of MPEG-2 video per dual-layer disc. A single-sided, single-layer DVD+R disc can hold 4.7GB of video per disc while a dual-sided, double-layer DVD+R disc can hold 17GB of video per disc.

    Memory Cards – This type of storage uses solid-state flash technology such as SD/MMC. Some memory cards are available in high capacity formats such as SDHC (Secure Digital High Capacity). Memory cards are lightweight and compact, and they provide limitless rewritable storage. Consumers are familiar with memory cards; that’s because you have used memory cards in your computers, TVs, digital cameras, cell phones, PDAs, Blu-ray Disc players, etc.

    HDD – Hard disk drives (HDD) dramatically increase the storage capacity over MiniDVDs, DVDs, and SD/MMC memory cards. Depending on the camcorder model, hard disk storage can range from 30GB to 120GB before downloading to another form of digital storage is required (using a USB cable). Another bonus to using HDD over other storage is the faster recording data rate than MiniDVDs, DVDs, or SD/MMC memory cards.

    Examples of two camcorders; one using hard disk storage and one using DVD and SD/MMC storage:

    Digital Camcorders - Memories on Media

    STEP 4 – Feature & Option Choices

    IMAGE STABILIZATION aka Shaky Hand Syndrome
    Most camcorders have some form of image stabilization, which helps correct for camera shake … er, I mean shaky hand syndrome. It is your hand shaking, not the camera, right? Other instances where this feature can help your recording turn out well is using your zoom to near maximum limits, filming while walking, or recording fast-moving objects. Even little shakes can be exaggerated and amplified in your finished product.

    There are three types of image stabilization: 

    1. Electronic – Adjustments are made electronically.
    2. Optical – Uses a set of lenses to adjust for the additional motion.
    3. Digital – Helps prevent overcompensation when it senses the tilting or panning of the camera.

    One sure way to solve your image stabilization issues is to use a tripod if at all possible. For camcorders, it is a must-buy accessory. Obviously, tripods can’t be a benefit in all instances, such as while you’re walking, but for the most part, they are an asset that cannot be ignored.

    OPTICAL ZOOM vs. DIGITAL ZOOM
    Which is better, optical zoom or digital zoom? Now that’s a question for the ages. Since only one of them, optical zoom, is really zooming (movement of the optics) closer to and away from an object, then hands down, optical zoom wins. But, what do the ratings imprinted on the side of your camcorder mean if it states 10x Optical Zoom and 200x Digital Zoom? First, let’s define exactly what optical and digital zooming are and then we’ll put them head-to-head.

    Optical Zoom
    As the name implies, optical zoom is optically zooming in closer to the image you see in the viewfinder or LCD screen. The range of the lens is the ratio of the length of the lens when zoomed in close (all the way) versus its length at the widest setting (no zoom at all). Quite literally, the lens moves in and out to adjust for the settings controlled by the cinematographer. If your camcorder is rated at 10x optical zoom, that is the maximum range of your optical zooming capabilities. You can still zoom in and take video at 1x, 5x, 8x, etc.

    Digital Zoom
    This feature is an invention of the digital revolution and really has nothing to do with optically zooming in closer to an image. It is simply the measure of your camcorder’s ability to increase the size of the pixels in your video to give the illusion of optical magnification. The end result is a pixel enlargement created by digital zoom taken from the best optical zoom your camcorder is capable of providing.

    The reason for adding digital zoom to optical zoom is twofold. One reason is better optics cost more money. So a camera lens setup that can zoom optically 15x would cost more than lenses rated at 10x. A lens zoom rated at 10x optical and 200x digital equals 210x zoom, right? Yes, but not exactly.

    The 10x optical zoom is truly zooming in closer to the object 10 times closer. When your camcorder’s 10x optical zoom has reached its limit and you still want to zoom in closer to record the look on your child’s face, your 200x digital zoom kicks in. But, it is not actually zooming in closer to the image. The digital zoom is actually enlarging the pixel size, causing it to appear as though you’re zooming in further. But, you’re actually still at 10x zoom.

    When you increase the pixel size of an image, you reduce the overall quality of the image. Interpolation, the act of digital zooming, enhances the image with some loss of image quality. You can achieve better results if you record the video at the optical zoom limit and then use the tools available in your desktop video editing software.

    Zoom Summary
    Now that you know optical zoom and digital zoom, the decision to select between the two is obvious. If you want real zoom power, optical zoom is the way to go. With digital zoom you’re interpolating the images, not zooming. Only use digital zoom if you have no other choice (e.g., no video editing software available).

    If using the zoom feature of your camcorder is important to your video recording needs, you have two options to ensure you’re optically zooming: 

    1. Purchase the highest possible optical zoom rated camcorder to avoid needing digital zoom.
    2. Purchase an aftermarket add-on lens to further enhance your camera’s optical abilities.

    Digital Camcorders - Memories on Media

    CCD & CMOS CHIPS
    The quality of the video image itself can be directly related to the size and amount chips in your camcorder. They are known as CCD (Charge Couple Device) chips and even the smallest difference in size can make a huge difference in the quality of your video. One key element to judge good video from bad video is lighting. The CCD chip inside your camcorder is the determining factor for the brightness, brilliance, and the color of your video images.

    Most consumer camcorders are equipped with a 1/6-inch (.16) to 1/3-inch (.33) CCD chip. Most high-end to professional camcorders will have a 3CCD setup. This means they have one CCD chip per color of the primary RGB (red, green, and blue) spectrum. You will see a marked increased in video quality with a 3CCD camcorder over a 1CCD camcorder.

    On the horizon of technology for camcorders are CMOS (Complementary Metal Oxide Semiconductor) chips. The advantage of a CMOS chip is production costs can be reduced because all three primary colors can be made into one chip without compromising the picture quality gained by the advancements of the 3CDD chip. The transition from CCD to CMOS is slow when compared to other advancements in technology because CDD still works and is a tried and true chip. Either way, 3CCD or CMOS, you’re going to get the best image sensor on the market and will get great results.

    VIEWFINDERS & EYEPIECE
    You’ve got two options for filming your personal masterpiece as far as seeing what you’re recording; using a viewfinder or an eyepiece. Using one or the other might fall into personal taste but a viewfinder is recommended for filming while walking and moving about so that you can use your peripheral vision to see where you’re going. Plus, a viewfinder allows you to see what’s NOT in the frame as well as what’s in the frame so you can make adjustments.

    Viewfinders are LCD screens (just like your laptop) and range in size from 2-inches to as much as 4-inches and display in color. Most viewfinders are designed to swivel, as much as 180-degrees, so that you film above your head, below your waist, or even include yourself in the frame.

    An eyepiece is usually a singular-view (monocular) lens that is protected by a flexible, rubber shroud that also helps seal around your eye socket to keep out excess light. On some models, the eyepiece is adjustable to several different angles and on others, it is stationary and in line with the lens of the camcorder.

    WIDE ANGLE (NO ZOOM ALLOWED)
    Probably the most forgotten close up shot doesn’t use any zoom at all – wide angle shots. The native ability of a camcorder to shoot wide angle shots will determine how far away you’ll need to be to get everybody in the frame when shooting in close quarters.

    If you’ve ever run out of real estate while taking baby steps backwards all-the-while trying to squeeze one more person in the viewfinder, then you’ve experienced the need for wide angle. You might not use this feature very much but it is best to check out your camcorder’s wide angle ability beforehand.

    MEGAPIXELS
    Unlike their digital counterpart, the digital camera, megapixels aren’t really important to a camcorder unless you’re taking a still photo. But even then, they can’t compete with a digital camera so it is best to use your camcorder for still photography only when it is absolutely necessary.

    STEP 5 – Accessorize Your Camcorder!
    A wide range of accessories are available for most any camcorder. Depending on what type of recording you do will depend on what accessories you choose to add to your camcorder purchase. If you’re going to be filming your children playing little league sports, a tripod and extra batteries will be in order. Here are some examples of accessories that you might need: 

    • Tripod (mini or full-sized)
    • Carrying Case/Bag
    • Charger and Extra Batteries
    • Additional Storage Media
    • Cables (e.g., USB, FireWire)
    • Extra Lenses and Lens Adapters
    • Mounting Bracket (e.g., for use on handle bar of mountain bicycle).

    STEP 6 – Have Fun!
    There’s nothing like enjoying the pictures and sounds of days gone by to stir up memories that might have been lost forever without the use of a digital camcorder. After your purchase your camcorder, you’ll find yourself looking for reasons to video everything; from birthday parties to weddings to vacations.

    Create, store, edit, e-mail, post, and share; the possibilities are only limited by your imagination. Don’t eschew or sally forth the world of camcorders; embrace it and you’ll be rewarded with video that will amaze your eyes and ears. The captured memories will last lifetimes and beyond.

    FINAL THOUGHTS
    To browse hhgregg’s camcorder selection including the point-and-shoot, pocket-sized camcorders, click here.

    Still have questions? – feel free to speak with an hhgregg associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

    Choosing a Digital Camera Carrying Case/Bag

    Wednesday, March 4th, 2009

    Remember when you first bought your digital camera? You took photos of virtually everything and your friends and family began to hide from you! Well, sooner or later you’ll need to put your camera away – in a safe place where it can be protected until the next photo op comes up.

    Storing your precious camera in a dresser drawer or setting it on a bookshelf won’t completely prevent it from being damaged. You need a carrying case/bag to protect your camera when you’re not using it and when you and your camera are on the go.

    PURPOSE-BUILT – Case or Bag?
    Depending on the type of camera you have and the amount of shutterbug running through your veins, the choice of style and versatility of your camera case/bag can be very important. Most major camera manufacturers offer cases/bags specifically designed for their brand and/or model line. For example: Sony makes a carrying case, Model No: LCSCST, specifically designed for protecting the Sony Cyber-shot® (see the chart below).

    You’ll want the case/bag to be just large enough to hold your camera to keep it stationary inside. For camera bags, the compartment used to store the camera body should be tight enough to hold the camera from moving in any direction during transport but loose enough to allow for quick removal. Even small amounts of being jostled around can damage your camera.

    Choosing a Digital Camera Carrying Case/Bag

    Point-and-Shoot – Look for semi-rigid or hard-shell cases that can withstand being tossed into a purse, glove box, or center console in your car. Strong magnets, zippers, or hook-and-loop closures are required to keep your camera from falling out during storage and transportation.

    Advanced – Something constructed from nylon with small storage pockets for flash memory cards and an extra battery will work great for this type of camera. Also look for a case with a built-in belt loop for keeping your camera at arm’s length. This holster-style case will keep you ready to shoot at a moment’s notice.

    Professional – Sturdy buckles, snaps, zippers, and other closures are an absolute necessity for the professional dSLR photographer. Look for weather and shape resilient outer shells and an abundance of compartmented, padded, and adjustable storage areas. This type of camera bag will probably have the ability to carry it with a handle on top, an adjustable and padded shoulder strap, and can be converted to a fanny pack or backpack.

    PROTECTION
    A case/bag for your camera performs three key functions – protection, keeping everything in one place, and providing a vehicle for transporting – with protection being the most important. Here are some examples of the protection a camera case/bag will provide:

    Wind – Tiny particles can be carried through the air and penetrate various areas of the lens and body of your camera. Wind can also be powerful enough to rip your camera case/bag out of your hands.

    Dust – Your camera body and lens can be scratched when dust settles on it. Dust can also affect the smooth movement of parts such as your lens zooming in and out. And when dust mixes with water it becomes mud – something you definitely don’t want on your camera.

    Sand – They don’t call it sandpaper for nothing. Granules of sand can gnaw away at your camera’s finish, moving parts, and lens. After filming at the beach, gently remove the sand and place your camera back in its case. Walking around the pier after you are done filming with your camera exposed will further the possibility of damage.

    Precipitation – Whether inadvertently submerged in water or lightly snowed on, unless your camera is certified as waterproof even small amounts of rain or snow can permanently damage your camera. All cases/bag will provide some protection but look for an exterior which is constructed of a weatherproof or treated material such as nylon, plastic, and vinyl.

    Impact – Camera bags are usually roomy and padded enough to protect from some impact from outside the bag. They should also protect from additional items and accessories stored inside from rubbing up against each other with padded and adjustable compartments. A case/bag will provide some protection if something is dropped onto your camera but it is best not to place anything on top or leave the bag when it is susceptible to being crushed.

    Hot/Cold Weather - Although when Mother Nature acts up is an awesome time to take some video, shooting some video in the hot sun on a scorching summer with bright, overhead sunlight is rarely good. At the other end of the spectrum, exposing your camera to freezing temperatures just might give your camera frost bite – literally.

    Choosing a Digital Camera Carrying Case/Bag

    FINAL THOUGHTSOther uses for your camera bag are to tote all your other accessories and gadgetry. If you can’t seem to keep your finger off the shutter button, extra flash memory cards might be in order along with extra batteries. Look for a camera bag that is large enough for your camera body and all your extras including lenses. Some camera bags have external straps to secure a collapsible tripod to the outside of the bag and enough room to stow a photo vest for your official photo shoots.

    Don’t substitute your camera case/bag for a sports duffel bag or any other carrying bag. You will be disappointed in the performance, and you just might end up damaging your camera instead of protecting it. Use the proper case/bag for your camera type and your camera will last for years.

    To check out our line of digital camera carrying cases/bags, click here.

    Still have questions? – Feel free to speak with an hhgregg associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!

    Choosing a Digital Camcorder Carrying Case/Bag

    Monday, February 23rd, 2009

    Of all the accessories you can purchase for your camcorder, a purpose-built case should be at the very top of your list. In fact, before you use your camcorder for the first time you should have a case already picked out to safely stow and transport your gear. You’ve got several items – memory cards, power cord, spare batteries, tapes, filters, and more – to keep track of and available when you need them. Basically, unless you’re actually filming something, your camcorder should be stowed.

    UNIVERSAL CASES/BAG
    Although there are camcorder specific cases/bags available, there are also bags marked as camcorder or camera. Depending on the type and model of camcorder you own, you might end up purchasing a case/bag labeled as a camera bag. For example: the following bag can be used for a camera or a camcorder.

    Case Logic Camcorder/Camera Bag

     Case Logic Camcorder/Camera Bag (Model No: SLCC1)

    Because a case/bag for a camcorder can be so universal, you need to ensure it has the features that suit your camcorder and your style of filming. Here are some of the items to look for when shopping for a camcorder case/bag:

    • Soft and adjustable padding throughout the inside of the case/bag.
    • Variety of compartments to store extra media, batteries, cables, and chargers.
    • False bottom for extra protection and extra storage.
    • Adjustable and padded shoulder strap, top-mounted carrying handle, and belt loop slot so you can carry your camcorder fanny-pack or holster style.
    • Exterior is constructed of a weatherproof or treated material (e.g., vinyl, plastic, rubber, nylon).
    • Sturdy snaps, buttons, buckles, hook-and-loop closures, zippers, and adjustable/padded straps.

    You’ll want the case/bag to be just large enough to hold your camcorder to keep it stationary inside. For camcorder bags, the compartment used to store the camcorder should be tight enough to hold it from moving in any direction during transport but loose enough to allow for quick removal. Even small amounts of being jostled around can damage your camcorder.

    PROTECTION
    A case/bag for your camcorder performs three key functions – protection, keeping everything in one place, and providing a vehicle for transporting – with protection being the most important. Here are some examples of the protection a camcorder case/bag will provide:

    Wind – Tiny particles can be carried through the air and penetrate various areas of the lens and body of your camcorder. Wind can also be powerful enough to rip your camcorder case/bag out of your hands.

    Dust – Your camcorder body and lens can be scratched when dust settles on it. Dust can also affect the smooth movement of parts such as your lens zooming in and out. And when dust mixes with water it becomes mud – something you definitely don’t want on your camcorder.

    Sand – They don’t call it sandpaper for nothing. Granules of sand can gnaw away at your camcorder’s finish, moving parts, and lens. After filming at the beach, gently remove the sand and place your camcorder back in its case. Walking around the pier after you are done filming with your camcorder exposed will further the possibility of damage.

    Precipitation – Whether inadvertently submerged in water or lightly snowed on, unless your camera is certified as waterproof even small amounts of rain or snow can permanently damage your camera. All cases/bag will provide some protection but look for an exterior which is constructed of a weatherproof or treated material such as nylon, plastic, and vinyl.

    Impact – Camcorder bags are usually roomy and padded enough to protect from some impact from outside the bag. They should also protect from additional items and accessories stored inside from rubbing up against each other with padded and adjustable compartments. A case/bag will provide some protection if something is dropped onto your camcorder but it is best not to place anything on top or leave the bag when it is susceptible to being crushed.

    Hot/Cold Weather – Although when Mother Nature acts up is an awesome time to take some video, shooting some video in the hot sun on a scorching summer with bright, overhead sunlight is rarely good. At the other end of the spectrum, exposing your camcorder to freezing temperatures just might give your camcorder frost bite – literally.

    Choosing a Digital Camcorder Carrying Case/Bag

    FINAL THOUGHTS
    Since your camcorder probably has more airline miles racked up than you do, weather and shape resilient outer shells are a must. Aircraft overhead bins, taxis, and one-size-fits-hotel rooms were not designed to protect your camcorder so it is your job to do it – with a high-quality case/bag.

    Don’t substitute your camcorder case/bag for a sports duffel bag or any other carrying bag. You will be disappointed in the performance and you just might end up damaging your camcorder instead of protecting it. Use the proper case/bag for your camcorder type and you’ll be taking video for years to come.

    To check out hhgregg’s line of camcorder cases/bags, click here.

    Still have questions? – Feel free to speak with an hhgregg associate. We offer the best-educated associates in the business who are smart enough to make it simple. Price and Advice Guaranteed!